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Exciting News from IWOSC / PALA!
| With great delight, we announce the merger of IWOSC/PALA with WPN, the Writers and Publishers Network, beginning March 15, 2024, and administered under the WPN banner. This joining of three literary nonprofits will benefit all the groups by offering more seminars, webinars, book fair participation, and meetings to an expanded national audience of WPN members. Kathleen Kaiser, President of the Writers and Publishers Network, will head the board of the newly merged organization. Gary Young and Steven Sanchez are excited about Kathleen’s experience and leadership. They will be stepping down as President and Vice President but will remain on the Advisory Board. They will also continue as hosts for the Green Room and be involved in other activities. |
What does this mean for IWOSC/PALA?
- All IWOSC/PALA programs will continue, including monthly meetings, Green Room, Brainstorming, Satellites, IWOSC Reads Its Own, etc., as well as all WPN programs.
- Membership prices will remain the same, with the option of changing as economic realities dictate.
- Monthly meeting prices will remain the same, again with the option of changing as economic realities dictate.
- Current Lifetime Members will continue as Lifetime Members with the same considerations as before. All Lifetime Memberships paid for before March 15, 2024, will be honored. No new Lifetime Memberships will be offered after that date.
- WPN and IWOSC/PALA members and friends will share all events and programs originated by each entity.
- Our associations with UCLA Extension and IWOC Chicago will continue, unchanged, sharing all benefits of IWOSC/PALA and WPN.
- Members will all benefit from an enhanced ability to expand and update our programs.
FAQs
How do I pay for my membership and meetings?
For now, we will accept payments to IWOSC/PALA or WPN, but ultimately WPN will process membership and meeting fees as the new governing entity.
How will I find out about meetings and other events?
If you are on our email list, you will receive announcements regularly, as you have in the past. The IWOSC/PALA website will also showcase the meetings on our home page at www.iwosc.org.
Will there be as many events as in the past?
There will be the traditional IWOSC/PALA events, plus the WPN events, which will result in more events for all three organizations.
IWOSC at Forty: An Appreciation of “The Community of Us”*
By Flo Selfman, IWOSC president 2003-2016 wordsalamode.com
When IWOSC was formed back in 1982, the founders were freelance magazine and newspaper journalists, as were most of the members in the early years. As an entertainment and literary publicist, I joined several years later; the idea of 200 journalists who might pitch stories on my clients was irresistible! Good move on my part: an IWOSC writer quickly got a client of mine a story in the Los Angeles Times.
(Double click on any of the photos to see a larger photo and start the slideshow)



































Ina Hildebrandt






David Wogahn, Sellbox; Julia Drake, Wildbound PR; Steven Sanchez, smarterwriters.com IWOSC 6.18.16













Here’s how the founders described IWOSC’s beginnings:
In summer 1982, a half dozen writers gathered on a porch at a colleague’s home to discuss their careers. Each opted for self-employment over a steady job. They were all well-educated and accomplished in their fields, but they knew that many publishers and editors failed to perceive independent writers as professionals.
This coterie of writers agreed that, as independents, they often coped with low or slow pay and extended payment terms. They lacked such elementary job benefits as health insurance or a credit union. As they sat on that porch back in ’82, they began to play the old game of “There-ought-to-be. . .”
“There ought to be a way that self-employed writers could get business services at a reasonable rate.”
“There ought to be a way of getting respect for writers.”
“There ought to be a way of finding out what other writers are charging for their work.”
There ought to be. . .
. . . an organization. One that did not require its members to sell to particular markets. One that would help self-employed writers improve their lot in life. One that could approach publishers, agency heads and editors to settle grievances.
A spark was lit from these conversations. The writers decided to create an organization dedicated to the idea that they could deal with these issues and find solutions as a group. No self-employed writer need stand alone.
That’s how IWOSC started and grew. In its first decades, most of the members were freelance journalists, seeking respect, benefits, and a “water cooler.” (Pre-internet, writing was even more solitary than it is now.) Then, IWOSC had caucuses and special-interest groups (health writers, food/restaurant, entertainment). We’ve always been about networking and education.
Our activities always included an evening monthly panel (occasionally a “panel of one”), then, as now, on topics of interest and benefit to writers (contacting editors; genres, such as architecture); a monthly Saturday morning seminar on all kinds of topics, from writing how-to (exercises, grammar, editing), genres (children’s lit, short story), to business (finding an agent, managing our money). Then we added satellite groups; after all, LA is a huge area and, with members all over the region, it was difficult to attend meetings. For a time we met every few months at the DWP building downtown; we held seminars at theatres in the Valley and at a children’s services agency in Pasadena. We held special all-day topic intensives (writing for psychology and mental health; how to do research).
We offered benefits to our members beyond writing: health insurance, a Jobline (then managed by Harriet Modler via two big, thick loose-leaf notebooks), Grievance Committee, new member mixers, volunteer opportunities (staffing booths at numerous book festivals including the LA Times Festival of Books, from 1996, its first year at UCLA, and every year thereafter, at no charge to our members), serving on the board or committees, writing for the newsletter, reading our work at twice-yearly “IWOSC Reads Its Own” events.
We taught…ourselves that each of us is a small business and we became businesspeople. We taught ourselves how to produce programs, line up speakers, write promotional copy, and moderate the programs (even if we feared speaking to a group) … and how to produce events, like our twice-yearly parties.
We learned … so much! How to network … how to approach editors … how to determine and ask for money … how to determine our worth … Later, how to prep our manuscripts, how to publish, approach an agent, market ourselves and our work, monetize our blogs, create our websites. Legal issues with IWOSC’s attorney Michael Klein, Ivan Hoffman, Jonathan Kirsch.
We learned … how to manage an organization. For many years, the IWOSC board held overnight retreats in interesting places like the Queen Mary, Altadena Country Club (thanks, Susan Carrier), and inns in Pasadena, Playa del Rey and Ventura. Once email eliminated the need for such lengthy in-person sessions, I conducted my board retreats at the historic Culver Hotel in Culver City – in Mr. Culver’s former private office! We had a buffet lunch, followed by afternoon meetings.
We learned … about the richness of LA’s historic sites (thanks, Laura Meyers, for opening our eyes) – our parties were held at the main Central Library downtown/Pershing Square/Biltmore Hotel; the Guasti-Buzby Berkeley mansion, historic West Adams; the Old Mill, San Marino; Zane Gray estate, Altadena (our biggest party to date; we even rented a Port-a-Potty!); the Schindler House (now MAK Center for Art & Architecture), West Hollywood; Will Rogers Park, Pacific Palisades; Lummis House and Heritage Square Museum near DTLA; CBS Studios, Studio City (thanks, Deb Shadovitz); Gilmore Adobe near Farmer’s Market … and many more, several self-catered. My winter parties as president were at the downtown Biltmore. We took “research field trips” – to the LA Police Academy, the then-new West Hollywood Library, and Brand Library.
We shared … our appreciation of members with recognition at our parties. I jokingly said we needed to get “Stop Me Before I Volunteer Again!” T-shirts for some, like Anne Mosbergen and Steven Sanchez. Instead, I created the “Spirit of Sharon” Award to honor the late board secretary Sharon Gilbert, who epitomized the slogan, presenting the first award posthumously to her, then to Anne and Steven.
We shared … our knowledge and expertise…at meetings, satellite groups, on our Yahoo! Listserv, and now via our Facebook page, Twitter and Zoom.
As the years passed and times changed, so did IWOSC. Our members became authors who craved information about writing books, editing, publishing and promotion. We’re lucky here in Southern California because so many resources are available to us. We’ve had numerous publishing programs with leading experts, including our own member authors and other professionals (editors, publicists, designers). We offer all-day Marketing intensives. We’re the first to have annual Agents Panels, for years our best-attended events! Adding PALA (Publishers Association Los Angeles) as a special interest group of IWOSC brought additional resources, such as discounted membership in IBPA (Independent Book Publishers Association).
IWOSC has often been cutting edge: When the Internet (capital “I”) was still a frightening unknown, Laura Meyers brought a big TV set to a meeting, along with a classical music critic, and demonstrated this new phenomenon. The critic’s article had these things called “links.” If he wrote the word “Beethoven,” you could click on the link and up would pop a bio of Beethoven! Can you even remember how remarkable this seemed at the time?
Before we heard the term “chick lit,” for example, Gary Young, then IWOSC’s longtime Director of Professional Development, had scheduled a panel on the topic. And, before we ever heard the word “podcast,” IWOSC had its own radio show. And talk about pivoting! Right before the pandemic hit, Gary and Steven Sanchez got us on Zoom before we knew how critically important it would become!
We’re all volunteers, by the way (except for website and office admin) – and we will keep it that way.
We’ve contributed … big time to the LA Main Central Library, helping clean damaged books after the 1986 fire, and raised $10,000 to help the library rebuild its collections! IWOSC has donated thousands of books to literacy organizations. Later, we gave to the LA Library Foundation and to Sojourn/Ocean Park Community Center (which named a reading corner for Pam Leven). We donated Sharon Gilbert’s large collection of piano and voice music and biographies, with IWOSC bookplates added, to Crossroads School in Santa Monica; and to a fund honoring author Octavia Butler.
We’ve lost … too many dear members over the years including our devoted, adored, spunky treasurer, “Miss Moneybags,” Pam Leven, and, later, her husband (and life member) Bob Geddes. Rena Michel, our first LAT FOB volunteer coordinator. Harriet Modler. Bob Birchard, who produced/moderated our annual Mystery Writers Panels. Lisa-Catherine Cohen. Linda Lichtman. Joe Buff and his wife Sybil, who helped Roberta and me set up the LAT FOB booth for years.
We’ve gained … lifelong friendships, important connections, indispensible knowledge.
At the recent LA Times Festival of Books at USC, author Craig Leener, who recently published his fourth novel, said to me, “Flo, do you know how many books I published before joining IWOSC?” “How many?” I said. He made a circle of his thumb and forefinger. “Zero,” he said. And I have a huge folder in my computer of similar comments. I’m thrilled whenever I see IWOSC acknowledged in our members’ books.
Some say life begins at forty. I say, Life – and IWOSC – just keep getting better after forty! May “the community of us”* continue to thrive!
#####
Flo Selfman
Immediate Past President (2003-2016), IWOSC
WordsalaMode.com
*E.L. Doctorow
IWOSC at Forty: An Appreciation of “The Community of Us”*
By Flo Selfman, IWOSC president 2003-2016 wordsalamode.com
When IWOSC was formed back in 1982, the founders were freelance magazine and newspaper journalists, as were most of the members in the early years. As an entertainment and literary publicist, I joined several years later; the idea of 200 journalists who might pitch stories on my clients was irresistible! Good move on my part: an IWOSC writer quickly got a client of mine a story in the Los Angeles Times.
(Double click on any of the photos to see a larger photo and start the slideshow)



































Ina Hildebrandt






David Wogahn, Sellbox; Julia Drake, Wildbound PR; Steven Sanchez, smarterwriters.com IWOSC 6.18.16













Here’s how the founders described IWOSC’s beginnings:
In summer 1982, a half dozen writers gathered on a porch at a colleague’s home to discuss their careers. Each opted for self-employment over a steady job. They were all well-educated and accomplished in their fields, but they knew that many publishers and editors failed to perceive independent writers as professionals.
This coterie of writers agreed that, as independents, they often coped with low or slow pay and extended payment terms. They lacked such elementary job benefits as health insurance or a credit union. As they sat on that porch back in ’82, they began to play the old game of “There-ought-to-be. . .”
“There ought to be a way that self-employed writers could get business services at a reasonable rate.”
“There ought to be a way of getting respect for writers.”
“There ought to be a way of finding out what other writers are charging for their work.”
There ought to be. . .
. . . an organization. One that did not require its members to sell to particular markets. One that would help self-employed writers improve their lot in life. One that could approach publishers, agency heads and editors to settle grievances.
A spark was lit from these conversations. The writers decided to create an organization dedicated to the idea that they could deal with these issues and find solutions as a group. No self-employed writer need stand alone.
That’s how IWOSC started and grew. In its first decades, most of the members were freelance journalists, seeking respect, benefits, and a “water cooler.” (Pre-internet, writing was even more solitary than it is now.) Then, IWOSC had caucuses and special-interest groups (health writers, food/restaurant, entertainment). We’ve always been about networking and education.
Our activities always included an evening monthly panel (occasionally a “panel of one”), then, as now, on topics of interest and benefit to writers (contacting editors; genres, such as architecture); a monthly Saturday morning seminar on all kinds of topics, from writing how-to (exercises, grammar, editing), genres (children’s lit, short story), to business (finding an agent, managing our money). Then we added satellite groups; after all, LA is a huge area and, with members all over the region, it was difficult to attend meetings. For a time we met every few months at the DWP building downtown; we held seminars at theatres in the Valley and at a children’s services agency in Pasadena. We held special all-day topic intensives (writing for psychology and mental health; how to do research).
We offered benefits to our members beyond writing: health insurance, a Jobline (then managed by Harriet Modler via two big, thick loose-leaf notebooks), Grievance Committee, new member mixers, volunteer opportunities (staffing booths at numerous book festivals including the LA Times Festival of Books, from 1996, its first year at UCLA, and every year thereafter, at no charge to our members), serving on the board or committees, writing for the newsletter, reading our work at twice-yearly “IWOSC Reads Its Own” events.
We taught…ourselves that each of us is a small business and we became businesspeople. We taught ourselves how to produce programs, line up speakers, write promotional copy, and moderate the programs (even if we feared speaking to a group) … and how to produce events, like our twice-yearly parties.
We learned … so much! How to network … how to approach editors … how to determine and ask for money … how to determine our worth … Later, how to prep our manuscripts, how to publish, approach an agent, market ourselves and our work, monetize our blogs, create our websites. Legal issues with IWOSC’s attorney Michael Klein, Ivan Hoffman, Jonathan Kirsch.
We learned … how to manage an organization. For many years, the IWOSC board held overnight retreats in interesting places like the Queen Mary, Altadena Country Club (thanks, Susan Carrier), and inns in Pasadena, Playa del Rey and Ventura. Once email eliminated the need for such lengthy in-person sessions, I conducted my board retreats at the historic Culver Hotel in Culver City – in Mr. Culver’s former private office! We had a buffet lunch, followed by afternoon meetings.
We learned … about the richness of LA’s historic sites (thanks, Laura Meyers, for opening our eyes) – our parties were held at the main Central Library downtown/Pershing Square/Biltmore Hotel; the Guasti-Buzby Berkeley mansion, historic West Adams; the Old Mill, San Marino; Zane Gray estate, Altadena (our biggest party to date; we even rented a Port-a-Potty!); the Schindler House (now MAK Center for Art & Architecture), West Hollywood; Will Rogers Park, Pacific Palisades; Lummis House and Heritage Square Museum near DTLA; CBS Studios, Studio City (thanks, Deb Shadovitz); Gilmore Adobe near Farmer’s Market … and many more, several self-catered. My winter parties as president were at the downtown Biltmore. We took “research field trips” – to the LA Police Academy, the then-new West Hollywood Library, and Brand Library.
We shared … our appreciation of members with recognition at our parties. I jokingly said we needed to get “Stop Me Before I Volunteer Again!” T-shirts for some, like Anne Mosbergen and Steven Sanchez. Instead, I created the “Spirit of Sharon” Award to honor the late board secretary Sharon Gilbert, who epitomized the slogan, presenting the first award posthumously to her, then to Anne and Steven.
We shared … our knowledge and expertise…at meetings, satellite groups, on our Yahoo! Listserv, and now via our Facebook page, Twitter and Zoom.
As the years passed and times changed, so did IWOSC. Our members became authors who craved information about writing books, editing, publishing and promotion. We’re lucky here in Southern California because so many resources are available to us. We’ve had numerous publishing programs with leading experts, including our own member authors and other professionals (editors, publicists, designers). We offer all-day Marketing intensives. We’re the first to have annual Agents Panels, for years our best-attended events! Adding PALA (Publishers Association Los Angeles) as a special interest group of IWOSC brought additional resources, such as discounted membership in IBPA (Independent Book Publishers Association).
IWOSC has often been cutting edge: When the Internet (capital “I”) was still a frightening unknown, Laura Meyers brought a big TV set to a meeting, along with a classical music critic, and demonstrated this new phenomenon. The critic’s article had these things called “links.” If he wrote the word “Beethoven,” you could click on the link and up would pop a bio of Beethoven! Can you even remember how remarkable this seemed at the time?
Before we heard the term “chick lit,” for example, Gary Young, then IWOSC’s longtime Director of Professional Development, had scheduled a panel on the topic. And, before we ever heard the word “podcast,” IWOSC had its own radio show. And talk about pivoting! Right before the pandemic hit, Gary and Steven Sanchez got us on Zoom before we knew how critically important it would become!
We’re all volunteers, by the way (except for website and office admin) – and we will keep it that way.
We’ve contributed … big time to the LA Main Central Library, helping clean damaged books after the 1986 fire, and raised $10,000 to help the library rebuild its collections! IWOSC has donated thousands of books to literacy organizations. Later, we gave to the LA Library Foundation and to Sojourn/Ocean Park Community Center (which named a reading corner for Pam Leven). We donated Sharon Gilbert’s large collection of piano and voice music and biographies, with IWOSC bookplates added, to Crossroads School in Santa Monica; and to a fund honoring author Octavia Butler.
We’ve lost … too many dear members over the years including our devoted, adored, spunky treasurer, “Miss Moneybags,” Pam Leven, and, later, her husband (and life member) Bob Geddes. Rena Michel, our first LAT FOB volunteer coordinator. Harriet Modler. Bob Birchard, who produced/moderated our annual Mystery Writers Panels. Lisa-Catherine Cohen. Linda Lichtman. Joe Buff and his wife Sybil, who helped Roberta and me set up the LAT FOB booth for years.
We’ve gained … lifelong friendships, important connections, indispensible knowledge.
At the recent LA Times Festival of Books at USC, author Craig Leener, who recently published his fourth novel, said to me, “Flo, do you know how many books I published before joining IWOSC?” “How many?” I said. He made a circle of his thumb and forefinger. “Zero,” he said. And I have a huge folder in my computer of similar comments. I’m thrilled whenever I see IWOSC acknowledged in our members’ books.
Some say life begins at forty. I say, Life – and IWOSC – just keep getting better after forty! May “the community of us”* continue to thrive!
#####
Flo Selfman
Immediate Past President (2003-2016), IWOSC
WordsalaMode.com
*E.L. Doctorow
Method Writing: An Organic Approach to Writing
Seminar
Method Writing: An Organic Approach to Writing
with Jack & Josh Grapes
Saturday, January 21, 2017
10:30 am – 1:00 p.m.
IWOSC members: $15
Non-members: $35

“Method Writing” is an organic approach to writing, much as method acting is an organic approach to acting, stressing inner process and deep voice. “Method Writing” consists of various concepts that take the writer through techniques designed to make the writing more compelling and more effective, publishable and productive.
Back by popular demand, Jack Grapes will present this overview of the writer’s creative process, focusing on his book “Method Writing,” a technique he’s developed and used in his writing workshops over the last 35 years.
Jack will discuss the nature of the creative process, and how that applies to “Method Writing.” So bring something to write on: paper and pen, parchment and quill, stone and chisel — whatever works.
He and his son, Josh, will lead the group in a writing prompt, time permitting.
[Update: they led a fantastic writing prompt!]
Our presenters: Jack and Josh Grapes
Jack Grapes is an award-winning actor, poet, playwright, publisher, editor, and teacher.
He wrote and starred in Circle of Will, a metaphysical comedy about the lost years of William Shakespeare which ran for several years at the Globe Theatre in Hollywood.
He’s the author of 8 1/2 books of poetry, including the three most recent The Naked Eye, Poems so Far, and All the Sad Angels. All available on Amazon.com.
Jack is editor and publisher of the highly acclaimed literary journal Onthebus.
He teaches classes based on his METHOD WRITING program. Both Method Writing and Advanced Method Writing are available on Amazon.com.
Josh Grapes is a graduate of Sarah Lawrence College.
He’s a poet and writer, and a singer/songwriter.
His most recent CD is Creature Comforts, and a book of poetry.
He’s also working on an alternate history of the United States.
He teaches special writer classes and workshops.
Writers and Websites in 2017
Writers panel
Writers and Websites in 2017
The why, what, how and help! of having a great website
Monday, January 30, 2017
7:30 to 9:15 p.m. (networking follows the program)
Does your website attract new readers?
Keep your fans happy?
Sell your books?
(Do you even have a website?)
With all this social media, does a writer really need their own website? And if you have one, what should you be doing with it nearly 20 years into the new millennium? So much has changed so fast; what should you be doing today?
Do you have any of these questions:
- Do you really need a website? Why or why not? What alternatives are there to having your own website?
- Should you build it yourself or have someone else, like a publisher, create or manage it for you?
- Should your website be about you or about your book?
- What’s a Domain Name, what kind should you get and where should you get yours?
- How fast does your website need to be?
- Can you get a website for free, or do you need to pay for it?
- Do you have to use WordPress?
- To blog or not to blog
- What pages must your website have and what should you be doing on them?
- How do you get people to find out about and come to your website?
- What about search engines (Google, Duck Duck Go, Bing, etc.), Amazon, and book marketing services?
- How can a writer make money with their website, besides selling their own books?
- How does social media (Facebook, Twitter, YouTube, etc.) fit in with your website?
- Where should you go when you need website help?
- What tools, websites, and Internet resources are writers using in 2017?
- What mistakes do writers make with their websites?
- How do you know when your website is “good enough?”
IWOSC has gathered an expert panel of successful writers who know what you need to be doing with your website and on the Internet this year.
Our web-savvy panelists include:

Jennifer Brody’s award-winning novel The 13th Continuum sold to Turner Publishing in a 3-book deal and is being packaged into a feature film. Return of the Continuums and The United Continuums (July 11, 2017) complete this epic trilogy.
She is a graduate of Harvard University, a volunteer mentor for the Young Storytellers Foundation, and a creative writing instructor at the Writing Pad. This year, she is teaching two online courses—Intro to Novel Writing and Intermediate Novel Writing.
Her marketing efforts for her books have involved many online campaigns, including FaceBook Launch Parties and BookBub promotions.
She also founded and runs BookPod, a social media group for authors with hundreds of members.
Jennifer’s website: JenniferBrody.com
Twitter: @jenniferbrody
Instagram: @jenniferbrodywriter
Facebook: www.facebook.com/jenniferbrodywriter
Click to sign up for Jennifer’s Mailing List
Steven Sanchez is an international bestselling author, teacher, speaker and Internet developer who helps people develop individualized Platforms for their unique businesses.
For over 20 years he developed and managed integrated Web marketing solutions for industry-leading companies. He has built websites for everyone from solo-preneur start-ups to international companies with thousands of employees.
Steven has conducted numerous workshops on all aspects of internet marketing, from website development to social media management. He has also contributed to several best-selling books on business success, homepage usability, and Web design on a shoestring. Today, Steven primarily consults on companies’ Internet strategies.
He is currently working on several books specifically for writers and entrepreneurs, as well as developing websites designed to help writers on everything from how to use WordPress to run one’s website, to training on how smarter writers can develop their own platforms, connect with their audience, and sell more books.
Deborah Shadovitz has been teaching how to building websites, writing professionally about websites and how to build them, and teaching this to groups ever since the web became public.
Her books include Clarisworks Office for Dummies and the Macworld Office 98 Bible — both among the first to teach internet use. Her 2001 Adobe GoLive 5 Bible was 100% about building websites.
Her other internet writings include chapters in early Internet books, two GoLive columns for MacDesign magazine, articles about web design for other graphic magazines, and articles about website design and apps for MacAddict, O’Reilly, Macworld and PC World.
A professional techie, Deb was among the first to experiment with many a “social” website, some which have stuck. For example, Twitter.
She is IWOSC’s webmaster and designer/builder of the current website. Deborah has also written outside of the tech genre.
Deb’s main websites: Shadovitz.com and TalesOfTravelAndTech.com
Twitter: @DebShadovitz
Moderator: Greg Miller is the author of “How To Be A Writer Who Writes” and the new reference e-book, Miller’s Compendium of Timeless Tools for the Modern Writer.He has written for magazines, radio, tv and film.He has taught classes and workshops for writers and now consults and coaches writers for books and scripts.
Greg has produced several highly regarded panels for IWOSC, helping many a writer. In 2016 he joined the IWOSC Board of Directors and our newly formed Programming Committee. In 2016 he joined the IWOSC Board of Directors and our newly formed Programming Committee.
Scenes from the panel
Winter party 2016
We loved our traditional Winter Party!
Mingling and a fine holiday meal at the Biltmore
We enjoyed the lap of architectural splendor as we got to know one another better and celebrated the holidays — at the beautiful downtown Millennium Biltmore Hotel!
Across the street from Pershing Square, it is centrally located in downtown Los Angeles.
We love its frescos, murals, embroidered tapestries, carved marble fountains and columns, lead crystal chandeliers, cast bronze stairwells and doorways and more.
Here are a few photos from our tour — with thanks to the Los Angeles Conservancy.
Some photos from the party.
Date and Time
Wednesday, December 14
Mingling and no-host cocktails & book swap in the Rendezvous Court from 6 until dinner. Join us as you can.
or
6:15 p.m. — Hour-long LA Conservancy-led Biltmore tour. Limited to 15 people, priority to first-timers.
7:30-10:00 p.m. — Dinner and door prizes.
Location
Millennium Biltmore Hotel:
Rendezvous Court & Smeraldi’s Restaurant
506 South Grand Avenue
Downtown Los Angeles, CA 90071
Main number: 213-624-1011

Book Swap — a new feature this year
Have a book you’d like to share with someone?
You can offer a book you wrote or one you’ve simply enjoyed and would like to pass forward. Or none.
This is optional and casual. We’ll use a table in the Rendezvous Court. You can drop off a book if you’d like or sit nearby. Pick one up if one catches your interest. When we move into dinner we’ll bring the books with us. Any unclaimed books will be donated to a book giveaway.
RSPV and Meal Selection
We did things differently this year, using a form which included meal selection. After submiting the reservation guests were taken to our payment info.
The Menu
Starter – you choose one upon reservation
- Insalata Cesare — Romaine heart, shaved parmesan, and truffle croutons
- Minestrone di Verdure — Mixed vegetable soup served with grilled focaccia (vegetarian: no meat, poultry, dairy)
Main Course — you choose one upon reservation
- Spaghetti alla Bolognese
Spaghetti with minced beef in tomato ragout - Ravioli di Zucca
Pumpkin and ricotta filling, sage, butter and parmesan
(Vegetarian. Can be made without butter if you require a vegan meal. Indicate on your reservation.) - Soppressata di Pollo
Pan-roasted chicken, soppressata di Calabria, capers, lemon, cheese polenta, grilled asparagus and sauce di nonna - Salmone Grigliato
Grilled salmon fillet, cheese polenta, herb zucchini and lemon-thyme sauce
Dessert
Gelato Artigianale — Italian homemade ice cream, made on location
Beverages
The waiters will offer each of us several non-alcoholic beverage options such as Iced Tea, Iced Coffee, Lemonade, Tea, Coffee, and Decaffeinated Coffee. Alcoholic drinks will be available for purchase from your waiter.
Door Prize Drawing!
Everyone receives a door prize ticket at check-in. If your ticket is drawn you may possibly win one of these great items. The odds are quite good, too!
(Click an image to view a larger version.)
NewerTech items for Macintosh laptops, maybe smartphones & iPad. NewerTech is sold by Other World Computing.
- NuGuard Keyboard Covers (13″ MacBook)
- NuGuard Snap-On Laptop Covers (13″ MacBook)
- NewerTech wireless keypad
- Power2U combo normal electric points w/USB ports that save your electric fees
TrackR Bravo
You can learn all about it at this link.
A tracking device on your key ring, one attached to your camera, one in with your handbag or briefcase… When I traveled last year if my device walked my iPhone would tell me. -Deb, your webmaster and prize solicitor
RadTech items for cameras, iPhones, USB devices and more:
- OmniCleanz screen cleaner
- LenSavrz
- Ultra Heavy Duty Lightning Cables (incredibly durable!)
- ACpower charger for your car
- I-Sight illuminators for hands-free light anywhere
Ticket to attend Media Law for Journalists workshop.
“A workshop for freelancers, bloggers, reporters, editors in print, digital or video spaces, podcasters – any media worker without the benefit of a legal department.”
Friday, January 20, 9:00 am – 6:00 pm
To be held at Southwestern Law School, 3050 Wilshire Blvd. This is the old Bullocks building, which in itself appears to be a treat to visit.
SuperDuper! backup/cloning software for Macintosh
Experts say if your data doesn’t exist in 3 places, it doesn’t exist? If your writing — and other info — matters to you, you must have it backed up. But a clone is even better! And SuperDuper! is the simple, incredibly reliable way to do this.
A license awaits for one Mac user who values his/her data.
Default Folder X5 is Macintosh filing at its most efficient. The Open and Save dialog box is so much better. Getting to a folder to save: if you can see it you can jump to it. And so much more.
We have a license available for a Mac user who appreciates efficiency.
Parking & Transport
Car parking:
- Hotel Valet, enter on Grand, just south of 5th. (Grand runs southbound only.)
$8 flat rate covering up to 4 hours. The fee is $4.75 for every 15 minutes past that 4 hour period, maximum $45.
Credit cards accepted.
The Biltmore does not have self-parking - Pershing Square garage across from the hotel under Pershing Square. Enter on Olive immediately after you pass 6th Street. You can also enter on 5th or 6th.
$7 flat rate entering after 5:00 pm
Credit cards accepted, fully automated, 24-hour security. - Pacmutual Garage, next door to the Rendezvous Court entrance. The garage entrance is on Olive. Travel north on Olive, pass 6th Street, and it’s on the left, just after you pass the entrance to the Pershing garage on the right.
$5.00 after 3 p.m. There is a live person at the entry and you can pay with cash (fastest) or credit card. The entrance closes at 10 but the garage has 24-hour security and an exit gate that opens as you approach it, so you can leave anytime. After the party, you’ll leave by the Biltmore front door, turn left on the street and enter the garage where a valet and/or security guard should be present. - Other nearby private lots and garages.
By train:
- The Red Line and Purple Line stop at Pershing Square station. Exit/Entrance at corner of 5th and Hill.
- The Expo Line from Santa Monica and the Blue Line from Long Beach end at the 7th Street/Metro Center where you can transfer for free and travel one more stop to Pershing Square or enjoy a .3 or .4 mile walk.
- The Gold Line from the San Gabriel Valley comes into Union Station where you may transfer for free to the Red Line and Purple Line stop at Pershing Square.
NOTE: As of 2014 Transfers between trains and even between buses and trains are free. This was verified in person but you can also read about it here. The TAP card stores your time of first entry, enabling you up to 2 hours to complete your 1-way journey. However, this does not work when you pay a bus fare with cash or a token. Read TAP FAQ here.
By bus:
- Buses that stop on Olive across from the Rendezvous Court entrance:
4, 70, 71, 76, 78/79/378, 770, Sliver Streak - Buses that stop on 5th across from the Valet entrance:
37, 60, 70, 71, 76, 78, 79, 96, 378, 442, 460, 487, 760, 770
Carpool:
If you’d like to carpool consider posting on our Yahoo discussion group or on our Facebook page.
This photo slideshow will show some of the parking options.
Some Biltmore History
Originally known as the Los Angeles Biltmore hotel, it was the largest hotel west of Chicago when it opened with 1500 rooms in 1923. (As rooms have changed, it now has hotel 683 rooms.)
This elegant Biltmore, designated as a California historic-cultural landmark in 1969, has a lot of history.
It has played host to Presidents, celebrities, dignitaries, and more. Among other things:
- Eight Academy Awards ceremonies (1931, 1935–39, and 1941-42) were held there.
- WWII military stayed there on their R&R.
- The 1960 Democratic National Convention, which selected JFK was held there. JFK have his acceptance speech there. He and his VP, Lyndon B. Johnson, had campaign headquarters there.
- The Academy of Motion Picture Arts and Sciences was founded there, in the Crystal Ballroom, May 1927.
- In 1964 The Beatles stayed in the Presidential Suite during their first U.S. tour. Because of the fan mobs they had to use the roof-top heliport. (You can see it on Google maps.)
The Rendezvous Court, where we enjoy conversation and optional drinks before dinner, was originally the hotel’s lobby. Its decor includes a Moorish Revival styled plaster ceiling painted with 24 Carat Gold accents, two original imported Italian chandeliers from 1923, and a grand Spanish Baroque Revival bronze doorway with an astrological clock.
Smeraldi’s is named for Giovanni Smeraldi, the famed Italian artist who, in 1922, with assistance from his team, hand painted the fresco mural ceilings of the main Galleria and the Crystal Ballroom, His other work includes murals in Vatican and the White House.
You can learn more at:
- Biltmore official website.
- Wikipedia article
- Movies Filmed at Biltmore Hotel Los Angeles
- Los Angeles Conservancy’s Millennium Biltmore Hotel Walking Tour page
Special Thanks to the LA Conservancy
IWOSC offers a special thank you to the LA Conservancy for providing us with excellent tours of the Biltmore for all the years we’ve celebrated there.
The LA Conservancy offers many excellent escorted and self-guided tours of Downtown Los Angeles. The website also offers a wealth of information. And, of course, it works to preserve Los Angeles.
While You’re Downtown
If you’d like to take in downtown before the party there is plenty to see and do. Nearby you will find:
- Visit the Caravan Book Store in the Pacmutual building. It’s got character, collectibles, and class. You might find a great holiday gift for someone you love, or for yourself.
- Pershing Square
- Pershing Square’s real winter-only outdoor skating rink (1-hour sessions all day and evening, $9+$4 skate rental)
- The Central Library
- MOCA (Museum of Contemporary Art) (.3 miles)
- Disney Hall (.7 miles)
- Grand Central Market (1/2 mile walk)
- Angels Flight (unfortunately not running at this time)
- The Last Bookstore, a uniquely decorated bookstore with great book prices (.3 miles down 5th)
- Complete Historic-Cultural Monuments in Downtown LA
Winter party 2016
We loved our traditional Winter Party!
Mingling and a fine holiday meal at the Biltmore
We enjoyed the lap of architectural splendor as we got to know one another better and celebrated the holidays — at the beautiful downtown Millennium Biltmore Hotel!
Across the street from Pershing Square, it is centrally located in downtown Los Angeles.
We love its frescos, murals, embroidered tapestries, carved marble fountains and columns, lead crystal chandeliers, cast bronze stairwells and doorways and more.
Here are a few photos from our tour — with thanks to the Los Angeles Conservancy.
Some photos from the party.
Date and Time
Wednesday, December 14
Mingling and no-host cocktails & book swap in the Rendezvous Court from 6 until dinner. Join us as you can.
or
6:15 p.m. — Hour-long LA Conservancy-led Biltmore tour. Limited to 15 people, priority to first-timers.
7:30-10:00 p.m. — Dinner and door prizes.
Location
Millennium Biltmore Hotel:
Rendezvous Court & Smeraldi’s Restaurant
506 South Grand Avenue
Downtown Los Angeles, CA 90071
Main number: 213-624-1011

Book Swap — a new feature this year
Have a book you’d like to share with someone?
You can offer a book you wrote or one you’ve simply enjoyed and would like to pass forward. Or none.
This is optional and casual. We’ll use a table in the Rendezvous Court. You can drop off a book if you’d like or sit nearby. Pick one up if one catches your interest. When we move into dinner we’ll bring the books with us. Any unclaimed books will be donated to a book giveaway.
RSPV and Meal Selection
We did things differently this year, using a form which included meal selection. After submiting the reservation guests were taken to our payment info.
The Menu
Starter – you choose one upon reservation
- Insalata Cesare — Romaine heart, shaved parmesan, and truffle croutons
- Minestrone di Verdure — Mixed vegetable soup served with grilled focaccia (vegetarian: no meat, poultry, dairy)
Main Course — you choose one upon reservation
- Spaghetti alla Bolognese
Spaghetti with minced beef in tomato ragout - Ravioli di Zucca
Pumpkin and ricotta filling, sage, butter and parmesan
(Vegetarian. Can be made without butter if you require a vegan meal. Indicate on your reservation.) - Soppressata di Pollo
Pan-roasted chicken, soppressata di Calabria, capers, lemon, cheese polenta, grilled asparagus and sauce di nonna - Salmone Grigliato
Grilled salmon fillet, cheese polenta, herb zucchini and lemon-thyme sauce
Dessert
Gelato Artigianale — Italian homemade ice cream, made on location
Beverages
The waiters will offer each of us several non-alcoholic beverage options such as Iced Tea, Iced Coffee, Lemonade, Tea, Coffee, and Decaffeinated Coffee. Alcoholic drinks will be available for purchase from your waiter.
Door Prize Drawing!
Everyone receives a door prize ticket at check-in. If your ticket is drawn you may possibly win one of these great items. The odds are quite good, too!
(Click an image to view a larger version.)
NewerTech items for Macintosh laptops, maybe smartphones & iPad. NewerTech is sold by Other World Computing.
- NuGuard Keyboard Covers (13″ MacBook)
- NuGuard Snap-On Laptop Covers (13″ MacBook)
- NewerTech wireless keypad
- Power2U combo normal electric points w/USB ports that save your electric fees
TrackR Bravo
You can learn all about it at this link.
A tracking device on your key ring, one attached to your camera, one in with your handbag or briefcase… When I traveled last year if my device walked my iPhone would tell me. -Deb, your webmaster and prize solicitor
RadTech items for cameras, iPhones, USB devices and more:
- OmniCleanz screen cleaner
- LenSavrz
- Ultra Heavy Duty Lightning Cables (incredibly durable!)
- ACpower charger for your car
- I-Sight illuminators for hands-free light anywhere
Ticket to attend Media Law for Journalists workshop.
“A workshop for freelancers, bloggers, reporters, editors in print, digital or video spaces, podcasters – any media worker without the benefit of a legal department.”
Friday, January 20, 9:00 am – 6:00 pm
To be held at Southwestern Law School, 3050 Wilshire Blvd. This is the old Bullocks building, which in itself appears to be a treat to visit.
SuperDuper! backup/cloning software for Macintosh
Experts say if your data doesn’t exist in 3 places, it doesn’t exist? If your writing — and other info — matters to you, you must have it backed up. But a clone is even better! And SuperDuper! is the simple, incredibly reliable way to do this.
A license awaits for one Mac user who values his/her data.
Default Folder X5 is Macintosh filing at its most efficient. The Open and Save dialog box is so much better. Getting to a folder to save: if you can see it you can jump to it. And so much more.
We have a license available for a Mac user who appreciates efficiency.
Parking & Transport
Car parking:
- Hotel Valet, enter on Grand, just south of 5th. (Grand runs southbound only.)
$8 flat rate covering up to 4 hours. The fee is $4.75 for every 15 minutes past that 4 hour period, maximum $45.
Credit cards accepted.
The Biltmore does not have self-parking - Pershing Square garage across from the hotel under Pershing Square. Enter on Olive immediately after you pass 6th Street. You can also enter on 5th or 6th.
$7 flat rate entering after 5:00 pm
Credit cards accepted, fully automated, 24-hour security. - Pacmutual Garage, next door to the Rendezvous Court entrance. The garage entrance is on Olive. Travel north on Olive, pass 6th Street, and it’s on the left, just after you pass the entrance to the Pershing garage on the right.
$5.00 after 3 p.m. There is a live person at the entry and you can pay with cash (fastest) or credit card. The entrance closes at 10 but the garage has 24-hour security and an exit gate that opens as you approach it, so you can leave anytime. After the party, you’ll leave by the Biltmore front door, turn left on the street and enter the garage where a valet and/or security guard should be present. - Other nearby private lots and garages.
By train:
- The Red Line and Purple Line stop at Pershing Square station. Exit/Entrance at corner of 5th and Hill.
- The Expo Line from Santa Monica and the Blue Line from Long Beach end at the 7th Street/Metro Center where you can transfer for free and travel one more stop to Pershing Square or enjoy a .3 or .4 mile walk.
- The Gold Line from the San Gabriel Valley comes into Union Station where you may transfer for free to the Red Line and Purple Line stop at Pershing Square.
NOTE: As of 2014 Transfers between trains and even between buses and trains are free. This was verified in person but you can also read about it here. The TAP card stores your time of first entry, enabling you up to 2 hours to complete your 1-way journey. However, this does not work when you pay a bus fare with cash or a token. Read TAP FAQ here.
By bus:
- Buses that stop on Olive across from the Rendezvous Court entrance:
4, 70, 71, 76, 78/79/378, 770, Sliver Streak - Buses that stop on 5th across from the Valet entrance:
37, 60, 70, 71, 76, 78, 79, 96, 378, 442, 460, 487, 760, 770
Carpool:
If you’d like to carpool consider posting on our Yahoo discussion group or on our Facebook page.
This photo slideshow will show some of the parking options.
Some Biltmore History
Originally known as the Los Angeles Biltmore hotel, it was the largest hotel west of Chicago when it opened with 1500 rooms in 1923. (As rooms have changed, it now has hotel 683 rooms.)
This elegant Biltmore, designated as a California historic-cultural landmark in 1969, has a lot of history.
It has played host to Presidents, celebrities, dignitaries, and more. Among other things:
- Eight Academy Awards ceremonies (1931, 1935–39, and 1941-42) were held there.
- WWII military stayed there on their R&R.
- The 1960 Democratic National Convention, which selected JFK was held there. JFK have his acceptance speech there. He and his VP, Lyndon B. Johnson, had campaign headquarters there.
- The Academy of Motion Picture Arts and Sciences was founded there, in the Crystal Ballroom, May 1927.
- In 1964 The Beatles stayed in the Presidential Suite during their first U.S. tour. Because of the fan mobs they had to use the roof-top heliport. (You can see it on Google maps.)
The Rendezvous Court, where we enjoy conversation and optional drinks before dinner, was originally the hotel’s lobby. Its decor includes a Moorish Revival styled plaster ceiling painted with 24 Carat Gold accents, two original imported Italian chandeliers from 1923, and a grand Spanish Baroque Revival bronze doorway with an astrological clock.
Smeraldi’s is named for Giovanni Smeraldi, the famed Italian artist who, in 1922, with assistance from his team, hand painted the fresco mural ceilings of the main Galleria and the Crystal Ballroom, His other work includes murals in Vatican and the White House.
You can learn more at:
- Biltmore official website.
- Wikipedia article
- Movies Filmed at Biltmore Hotel Los Angeles
- Los Angeles Conservancy’s Millennium Biltmore Hotel Walking Tour page
Special Thanks to the LA Conservancy
IWOSC offers a special thank you to the LA Conservancy for providing us with excellent tours of the Biltmore for all the years we’ve celebrated there.
The LA Conservancy offers many excellent escorted and self-guided tours of Downtown Los Angeles. The website also offers a wealth of information. And, of course, it works to preserve Los Angeles.
While You’re Downtown
If you’d like to take in downtown before the party there is plenty to see and do. Nearby you will find:
- Visit the Caravan Book Store in the Pacmutual building. It’s got character, collectibles, and class. You might find a great holiday gift for someone you love, or for yourself.
- Pershing Square
- Pershing Square’s real winter-only outdoor skating rink (1-hour sessions all day and evening, $9+$4 skate rental)
- The Central Library
- MOCA (Museum of Contemporary Art) (.3 miles)
- Disney Hall (.7 miles)
- Grand Central Market (1/2 mile walk)
- Angels Flight (unfortunately not running at this time)
- The Last Bookstore, a uniquely decorated bookstore with great book prices (.3 miles down 5th)
- Complete Historic-Cultural Monuments in Downtown LA
Ageism in Writing: How young do you really HAVE to be
Panel:
Ageism in Writing: How young do you really HAVE to be
Monday, November 21, 2016
7:30 to 9:15 p.m. (networking follows the program)
Jump down to register
Many professions have the burden of the issue of age, defined differently in every profession.
- If you are of a “certain age,” you may be passed over because of the perception that your output is less dynamic, not speaking the language of the time, unable to put the time in due to family concerns.
- Younger people often have the “Catch 22” needing to be young, but also needing to have experience in order to get noticed and validated.
In October we looked at one side of that coin. Now we are looking at the other.
Writers have experienced ageism famously within the TV and Film community, but it also exists in the publishing world and other outlets for our writing efforts.
We will explore some of the pitfalls that our panel have seen, some creative workarounds that they have discovered, and some thankfully creative oversights that actually opened the door for them.
Join us for a discussion that promises to be lively and perhaps a bit controversial, but not without the promise of hope for all.
Our panel:

Ray Richmond is considered one of the leading experts on television, media and the entertainment industry. For the past 25 years, Ray Richmond has worked as a television critic, columnist, and reporter for a number of publications including: The Hollywood Reporter, Daily Variety, the Los Angeles Daily News and The Orange County Register.Ray is also a prolific author.
His books include:
The Simpsons: A Complete Guide to Our Favorite Family (1997)
This is Jeopardy: Celebrating America’s Favorite Quiz Show (2004)
TV Moms: An Illustrated Guide (2000)
and My Greatest Day in Show Business (1999).
Ray is currently working on a memoir and film that carries the working title Improver of Love, centering on his life growing up in Hollywood with an eccentric mother who helped to invent the sex lube industry in the 1960s. He spends the remainder of his free time removing tags from mattresses in direct violation of federal law.
David Gittins started as a commissioned officer in Her Majesty’s Customs, David found himself changing careers once his play Madness and Vomit attracted the attention of TV producers. After spending some time writing for British TV, he segued into developing and financing independent features, working with companies in Italy, Ireland, France, UK and the US.
He has an MFA in screenwriting from USC’s School of Cinematic Arts.
David is also the Executive Director of The TV Writers Fund for the Future, a nonprofit dedicated to enabling experienced TV writers to find new employment opportunities. The Fund runs seminars, industry panels and workshops focused on informing writers and empowering them to stay current by optimizing their ability, attitude and, application.

Scott Kaiser, MD is a practicing geriatrician and Chief Innovation Officer at the Motion Picture & Television Fund (MPTF), which provides services and support to the entertainment industry community.
Scott leverages his expertise to advocate for the improvement of aging services and geriatric care.Dr. Kaiser received his medical degree from the Keck School of Medicine at USC and later joined the Harvard Geriatric Medicine Fellowship, then came back to Los Angeles as a Health Medical Fellow with the UCLA/VA Primary Care and Health Services Research Fellowship.

Jordan Oslin is an associate at The Bloom Firm. He completed his undergraduate degree in English Literature at Loyola Marymount University and minored in Classics and Archaeology.
Jordan earned his Juris Doctorate from Southwestern Law School in Los Angeles. The recipient of many scholarships, Jordan specialized in Labor and Employment Law and Intellectual Property. He participated in Southwestern’s Negotiation Honors Program, winning the prestigious Annual Entertainment Negotiation Competition . His wide range of passions includes post-modern literature, historical preservation of Art Deco architecture, classic film, and physical fitness.
In law, Jordan is dedicated to the proliferation of fair use in copyright, criminal legislative reform, equal protection for sexual orientation, and the fight against domestic violence.
Jordan recognizes the challenges for clients in today’s legal market and immediately seized the opportunity to work for The Bloom Firm, a firm of exceptional attorneys that strives to minimize the confusion and obstructions of a complicated legal world.

Moderator: Telly Davidson is a familiar face to IWOSC audiences, having moderated many panels for us in the past. He was senior film and TV reviewer for bestselling pundit David Frum’s FrumForum, has reviewed movies and TV and conducted interviews for FilmStew, 213 Magazine, iF Monthly, Entertainment Today, Guitar Player, All About Jazz, and has worked on TV specials for NBC and PBS including The Write Environment and Pioneers of Television. He currently works with top producer’s rep Jeff Porter of Porter Pictures on the placement of independent films.
Telly is the author of the Emmy magazine-cited TV’s Grooviest Variety Shows. His new book Culture War, on pop culture and politics, is now available on Amazon.
Registration is now closed as this event has passed.
Ageism in Writing: How young do you really HAVE to be
Panel:
Ageism in Writing: How young do you really HAVE to be
Monday, November 21, 2016
7:30 to 9:15 p.m. (networking follows the program)
Jump down to register
Many professions have the burden of the issue of age, defined differently in every profession.
- If you are of a “certain age,” you may be passed over because of the perception that your output is less dynamic, not speaking the language of the time, unable to put the time in due to family concerns.
- Younger people often have the “Catch 22” needing to be young, but also needing to have experience in order to get noticed and validated.
In October we looked at one side of that coin. Now we are looking at the other.
Writers have experienced ageism famously within the TV and Film community, but it also exists in the publishing world and other outlets for our writing efforts.
We will explore some of the pitfalls that our panel have seen, some creative workarounds that they have discovered, and some thankfully creative oversights that actually opened the door for them.
Join us for a discussion that promises to be lively and perhaps a bit controversial, but not without the promise of hope for all.
Our panel:

Ray Richmond is considered one of the leading experts on television, media and the entertainment industry. For the past 25 years, Ray Richmond has worked as a television critic, columnist, and reporter for a number of publications including: The Hollywood Reporter, Daily Variety, the Los Angeles Daily News and The Orange County Register.Ray is also a prolific author.
His books include:
The Simpsons: A Complete Guide to Our Favorite Family (1997)
This is Jeopardy: Celebrating America’s Favorite Quiz Show (2004)
TV Moms: An Illustrated Guide (2000)
and My Greatest Day in Show Business (1999).
Ray is currently working on a memoir and film that carries the working title Improver of Love, centering on his life growing up in Hollywood with an eccentric mother who helped to invent the sex lube industry in the 1960s. He spends the remainder of his free time removing tags from mattresses in direct violation of federal law.
David Gittins started as a commissioned officer in Her Majesty’s Customs, David found himself changing careers once his play Madness and Vomit attracted the attention of TV producers. After spending some time writing for British TV, he segued into developing and financing independent features, working with companies in Italy, Ireland, France, UK and the US.
He has an MFA in screenwriting from USC’s School of Cinematic Arts.
David is also the Executive Director of The TV Writers Fund for the Future, a nonprofit dedicated to enabling experienced TV writers to find new employment opportunities. The Fund runs seminars, industry panels and workshops focused on informing writers and empowering them to stay current by optimizing their ability, attitude and, application.

Scott Kaiser, MD is a practicing geriatrician and Chief Innovation Officer at the Motion Picture & Television Fund (MPTF), which provides services and support to the entertainment industry community.
Scott leverages his expertise to advocate for the improvement of aging services and geriatric care.Dr. Kaiser received his medical degree from the Keck School of Medicine at USC and later joined the Harvard Geriatric Medicine Fellowship, then came back to Los Angeles as a Health Medical Fellow with the UCLA/VA Primary Care and Health Services Research Fellowship.

Jordan Oslin is an associate at The Bloom Firm. He completed his undergraduate degree in English Literature at Loyola Marymount University and minored in Classics and Archaeology.
Jordan earned his Juris Doctorate from Southwestern Law School in Los Angeles. The recipient of many scholarships, Jordan specialized in Labor and Employment Law and Intellectual Property. He participated in Southwestern’s Negotiation Honors Program, winning the prestigious Annual Entertainment Negotiation Competition . His wide range of passions includes post-modern literature, historical preservation of Art Deco architecture, classic film, and physical fitness.
In law, Jordan is dedicated to the proliferation of fair use in copyright, criminal legislative reform, equal protection for sexual orientation, and the fight against domestic violence.
Jordan recognizes the challenges for clients in today’s legal market and immediately seized the opportunity to work for The Bloom Firm, a firm of exceptional attorneys that strives to minimize the confusion and obstructions of a complicated legal world.

Moderator: Telly Davidson is a familiar face to IWOSC audiences, having moderated many panels for us in the past. He was senior film and TV reviewer for bestselling pundit David Frum’s FrumForum, has reviewed movies and TV and conducted interviews for FilmStew, 213 Magazine, iF Monthly, Entertainment Today, Guitar Player, All About Jazz, and has worked on TV specials for NBC and PBS including The Write Environment and Pioneers of Television. He currently works with top producer’s rep Jeff Porter of Porter Pictures on the placement of independent films.
Telly is the author of the Emmy magazine-cited TV’s Grooviest Variety Shows. His new book Culture War, on pop culture and politics, is now available on Amazon.





































