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Writers and Websites in 2017

Writers panel
Writers and Websites in 2017
The why, what, how and help! of having a great website 

Monday, January 30, 2017
7:30 to 9:15 p.m. (networking follows the program)

Does your website attract new readers?
Keep your fans happy?
Sell your books?

(Do you even have a website?)

With all this social media, does a writer really need their own website? And if you have one, what should you be doing with it nearly 20 years into the new millennium? So much has changed so fast; what should you be doing today?

Do you have any of these questions:

  • Do you really need a website? Why or why not? What alternatives are there to having your own website?
  • Should you build it yourself or have someone else, like a publisher, create or manage it for you?
  • Should your website be about you or about your book?
  • What’s a Domain Name, what kind should you get and where should you get yours?
  • How fast does your website need to be?
  • Can you get a website for free, or do you need to pay for it?
  • Do you have to use WordPress?
  • To blog or not to blog
  • What pages must your website have and what should you be doing on them?
  • How do you get people to find out about and come to your website?
  • What about search engines (Google, Duck Duck Go, Bing, etc.), Amazon, and book marketing services?
  • How can a writer make money with their website, besides selling their own books?
  • How does social media (Facebook, Twitter, YouTube, etc.) fit in with your website?
  • Where should you go when you need website help?
  • What tools, websites, and Internet resources are writers using in 2017?
  • What mistakes do writers make with their websites?
  • How do you know when your website is “good enough?”

IWOSC has gathered an expert panel of successful writers who know what you need to be doing with your website and on the Internet this year.

Our web-savvy panelists include:

Jennifer Brody
Jennifer Brody

Jennifer Brody’s award-winning novel The 13th Continuum sold to Turner Publishing in a 3-book deal and is being packaged into a feature film. Return of the Continuums and The United Continuums (July 11, 2017) complete this epic trilogy.

She is a graduate of Harvard University, a volunteer mentor for the Young Storytellers Foundation, and a creative writing instructor at the Writing Pad. This year, she is teaching two online courses—Intro to Novel Writing and Intermediate Novel Writing.

Her marketing efforts for her books have involved many online campaigns, including FaceBook Launch Parties and BookBub promotions.

She also founded and runs BookPod, a social media group for authors with hundreds of members.

Jennifer’s website: JenniferBrody.com
Twitter: @jenniferbrody
Instagram: @jenniferbrodywriter
Facebook: www.facebook.com/jenniferbrodywriter
Click to sign up for Jennifer’s Mailing List

Steven Sanchez
Steven Sanchez

Steven Sanchez is an international bestselling author, teacher, speaker and Internet developer who helps people develop individualized Platforms for their unique businesses.

For over 20 years he developed and managed integrated Web marketing solutions for industry-leading companies. He has built websites for everyone from solo-preneur start-ups to international companies with thousands of employees.

Steven has conducted numerous workshops on all aspects of internet marketing, from website development to social media management. He has also contributed to several best-selling books on business success, homepage usability, and Web design on a shoestring. Today, Steven primarily consults on companies’ Internet strategies.

He is currently working on several books specifically for writers and entrepreneurs, as well as developing websites designed to help writers on everything from how to use WordPress to run one’s website, to training on how smarter writers can develop their own platforms, connect with their audience, and sell more books.

Deborah Shadovitz
Deborah Shadovitz

Deborah Shadovitz has been teaching how to building websites, writing professionally about websites and how to build them, and teaching this to groups ever since the web became public.

Her books include Clarisworks Office for Dummies and the Macworld Office 98 Bible — both among the first to teach internet use. Her 2001 Adobe GoLive 5 Bible was 100% about building websites.

Her other internet writings include chapters in early Internet books, two GoLive columns for MacDesign magazine, articles about web design for other graphic magazines, and articles about website design and apps for MacAddict, O’Reilly, Macworld and PC World.

A professional techie, Deb was among the first to experiment with many a “social” website, some which have stuck. For example, Twitter.

She is IWOSC’s webmaster and designer/builder of the current website. Deborah has also written outside of the tech genre.

Deb’s main websites: Shadovitz.com and TalesOfTravelAndTech.com
Twitter: @DebShadovitz

Greg Miller, moderator
Greg Miller, moderator

Moderator: Greg Miller is the author of “How To Be A Writer Who Writes” and the new reference e-book, Miller’s Compendium of Timeless Tools for the Modern Writer.He has written for magazines, radio, tv and film.He has taught classes and workshops for writers and now consults and coaches writers for books and scripts.

Greg has produced several highly regarded panels for IWOSC, helping many a writer. In 2016 he joined the IWOSC Board of Directors and our newly formed Programming Committee. In 2016 he joined the IWOSC Board of Directors and our newly formed Programming Committee.

Scenes from the panel

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Ageism in Writing: How young do you really HAVE to be

Panel:
Ageism in Writing: How young do you really HAVE to be

Monday, November 21, 2016
7:30 to 9:15 p.m. (networking follows the program)
Jump down to register

Many professions have the burden of the issue of age, defined differently in every profession.

  • If you are of a “certain age,” you may be passed over because of the perception that your output is less dynamic, not speaking the language of the time, unable to put the time in due to family concerns.
  • Younger people often have the “Catch 22” needing to be young, but also needing to have experience in order to get noticed and validated.

In October we looked at one side of that coin. Now we are looking at the other.

Writers have experienced ageism famously within the TV and Film community, but it also exists in the publishing world and other outlets for our writing efforts.

We will explore some of the pitfalls that our panel have seen, some creative workarounds that they have discovered, and some thankfully creative oversights that actually opened the door for them.

Join us for a discussion that promises to be lively and perhaps a bit controversial, but not without the promise of hope for all.

Our panel:

Ray Richmond as Press Secretary
Ray Richmond as Press Secretary

Ray Richmond is considered one of the leading experts on television, media and the entertainment industry. For the past 25 years, Ray Richmond has worked as a television critic, columnist, and reporter for a number of publications including: The Hollywood Reporter, Daily Variety, the Los Angeles Daily News and The Orange County Register.Ray is also a prolific author.
His books include:
The Simpsons: A Complete Guide to Our Favorite Family (1997)
This is Jeopardy: Celebrating America’s Favorite Quiz Show (2004)
TV Moms: An Illustrated Guide (2000)

and My Greatest Day in Show Business (1999).

Ray is currently working on a memoir and film that carries the working title Improver of Love, centering on his life growing up in Hollywood with an eccentric mother who helped to invent the sex lube industry in the 1960s. He spends the remainder of his free time removing tags from mattresses in direct violation of federal law.

 

David Gittins
David Gittins

David Gittins started as a commissioned officer in Her Majesty’s Customs, David found himself changing careers once his play Madness and Vomit attracted the attention of TV producers. After spending some time writing for British TV, he segued into developing and financing independent features, working with companies in Italy, Ireland, France, UK and the US.

He has an MFA in screenwriting from USC’s School of Cinematic Arts.

David is also the Executive Director of The TV Writers Fund for the Future, a nonprofit dedicated to enabling experienced TV writers to find new employment opportunities. The Fund runs seminars, industry panels and workshops focused on informing writers and empowering them to stay current by optimizing their ability, attitude and, application.

 

scott-kaiser-md_mptf-chief-innovation_connected
Scott Kaiser, MD

Scott Kaiser, MD is a practicing geriatrician and Chief Innovation Officer at the Motion Picture & Television Fund (MPTF), which provides services and support to the entertainment industry community.

Scott leverages his expertise to advocate for the improvement of aging services and geriatric care.Dr. Kaiser received his medical degree from the Keck School of Medicine at USC and later joined the Harvard Geriatric Medicine Fellowship, then came back to Los Angeles as a Health Medical Fellow with the UCLA/VA Primary Care and Health Services Research Fellowship.

 

Jordan Oslin
Jordan Oslin

Jordan Oslin is an associate at The Bloom Firm. He completed his undergraduate degree in English Literature at Loyola Marymount University and minored in Classics and Archaeology.

Jordan earned his Juris Doctorate from Southwestern Law School in Los Angeles. The recipient of many scholarships, Jordan specialized in Labor and Employment Law and Intellectual Property. He participated in Southwestern’s Negotiation Honors Program, winning the prestigious Annual Entertainment Negotiation Competition . His wide range of passions includes post-modern literature, historical preservation of Art Deco architecture, classic film, and physical fitness.

In law, Jordan is dedicated to the proliferation of fair use in copyright, criminal legislative reform, equal protection for sexual orientation, and the fight against domestic violence.

Jordan recognizes the challenges for clients in today’s legal market and immediately seized the opportunity to work for The Bloom Firm, a firm of exceptional attorneys that strives to minimize the confusion and obstructions of a complicated legal world.

Telly Davidson, Author
Telly Davidson

Moderator: Telly Davidson is a familiar face to IWOSC audiences, having moderated many panels for us in the past. He was senior film and TV reviewer for bestselling pundit David Frum’s FrumForum, has reviewed movies and TV and conducted interviews for FilmStew, 213 Magazine, iF Monthly, Entertainment Today, Guitar Player, All About Jazz, and has worked on TV specials for NBC and PBS including The Write Environment and Pioneers of Television. He currently works with top producer’s rep Jeff Porter of Porter Pictures on the placement of independent films.
Telly is the author of the Emmy magazine-cited TV’s Grooviest Variety Shows. His new book Culture War, on pop culture and politics, is now available on Amazon.

 

Registration is now closed as this event has passed.

Posted on

Ageism in Writing: How young do you really HAVE to be

Panel:
Ageism in Writing: How young do you really HAVE to be

Monday, November 21, 2016
7:30 to 9:15 p.m. (networking follows the program)
Jump down to register

Many professions have the burden of the issue of age, defined differently in every profession.

  • If you are of a “certain age,” you may be passed over because of the perception that your output is less dynamic, not speaking the language of the time, unable to put the time in due to family concerns.
  • Younger people often have the “Catch 22” needing to be young, but also needing to have experience in order to get noticed and validated.

In October we looked at one side of that coin. Now we are looking at the other.

Writers have experienced ageism famously within the TV and Film community, but it also exists in the publishing world and other outlets for our writing efforts.

We will explore some of the pitfalls that our panel have seen, some creative workarounds that they have discovered, and some thankfully creative oversights that actually opened the door for them.

Join us for a discussion that promises to be lively and perhaps a bit controversial, but not without the promise of hope for all.

Our panel:

Ray Richmond as Press Secretary
Ray Richmond as Press Secretary

Ray Richmond is considered one of the leading experts on television, media and the entertainment industry. For the past 25 years, Ray Richmond has worked as a television critic, columnist, and reporter for a number of publications including: The Hollywood Reporter, Daily Variety, the Los Angeles Daily News and The Orange County Register.Ray is also a prolific author.
His books include:
The Simpsons: A Complete Guide to Our Favorite Family (1997)
This is Jeopardy: Celebrating America’s Favorite Quiz Show (2004)
TV Moms: An Illustrated Guide (2000)

and My Greatest Day in Show Business (1999).

Ray is currently working on a memoir and film that carries the working title Improver of Love, centering on his life growing up in Hollywood with an eccentric mother who helped to invent the sex lube industry in the 1960s. He spends the remainder of his free time removing tags from mattresses in direct violation of federal law.

 

David Gittins
David Gittins

David Gittins started as a commissioned officer in Her Majesty’s Customs, David found himself changing careers once his play Madness and Vomit attracted the attention of TV producers. After spending some time writing for British TV, he segued into developing and financing independent features, working with companies in Italy, Ireland, France, UK and the US.

He has an MFA in screenwriting from USC’s School of Cinematic Arts.

David is also the Executive Director of The TV Writers Fund for the Future, a nonprofit dedicated to enabling experienced TV writers to find new employment opportunities. The Fund runs seminars, industry panels and workshops focused on informing writers and empowering them to stay current by optimizing their ability, attitude and, application.

 

scott-kaiser-md_mptf-chief-innovation_connected
Scott Kaiser, MD

Scott Kaiser, MD is a practicing geriatrician and Chief Innovation Officer at the Motion Picture & Television Fund (MPTF), which provides services and support to the entertainment industry community.

Scott leverages his expertise to advocate for the improvement of aging services and geriatric care.Dr. Kaiser received his medical degree from the Keck School of Medicine at USC and later joined the Harvard Geriatric Medicine Fellowship, then came back to Los Angeles as a Health Medical Fellow with the UCLA/VA Primary Care and Health Services Research Fellowship.

 

Jordan Oslin
Jordan Oslin

Jordan Oslin is an associate at The Bloom Firm. He completed his undergraduate degree in English Literature at Loyola Marymount University and minored in Classics and Archaeology.

Jordan earned his Juris Doctorate from Southwestern Law School in Los Angeles. The recipient of many scholarships, Jordan specialized in Labor and Employment Law and Intellectual Property. He participated in Southwestern’s Negotiation Honors Program, winning the prestigious Annual Entertainment Negotiation Competition . His wide range of passions includes post-modern literature, historical preservation of Art Deco architecture, classic film, and physical fitness.

In law, Jordan is dedicated to the proliferation of fair use in copyright, criminal legislative reform, equal protection for sexual orientation, and the fight against domestic violence.

Jordan recognizes the challenges for clients in today’s legal market and immediately seized the opportunity to work for The Bloom Firm, a firm of exceptional attorneys that strives to minimize the confusion and obstructions of a complicated legal world.

Telly Davidson, Author
Telly Davidson

Moderator: Telly Davidson is a familiar face to IWOSC audiences, having moderated many panels for us in the past. He was senior film and TV reviewer for bestselling pundit David Frum’s FrumForum, has reviewed movies and TV and conducted interviews for FilmStew, 213 Magazine, iF Monthly, Entertainment Today, Guitar Player, All About Jazz, and has worked on TV specials for NBC and PBS including The Write Environment and Pioneers of Television. He currently works with top producer’s rep Jeff Porter of Porter Pictures on the placement of independent films.
Telly is the author of the Emmy magazine-cited TV’s Grooviest Variety Shows. His new book Culture War, on pop culture and politics, is now available on Amazon.

 

Registration is now closed as this event has passed.

Posted on

Building a Career as a Young Writer

Panel:
You’ve Graduated — So Now What?
Building a Career — and Getting Your Foot in the Door as a Young Writer Today

Monday, October 24, 2016
7:30 to 9:15 p.m. (networking follows the program)

It was never easy to begin a career in writing, journalism, or entertainment — but despite the advances made by women and people of color, it often seems like the barriers, obstacle courses, and glass ceilings getting past the “gatekeepers” has gotten harder for everyone over the past 15 or 20 years, not to mention since the 2008 meltdown.

This month we deal with the challenges faced by young, Millennial and Generation X writers, and first-time writers (of all ages) at the beginnings and the early mid-points of their careers.
Scheduled topics will include:

  • How to apply for jobs in online journalism and Hollywood — do’s and don’ts
  • What are editors, literary agents, and human resources screeners looking for — and what do they demand — in young, starting-out writers
  • How to protect the accomplishments you have against being normalized and dissed (e.g. “Anybody can do what you do! What’s so special about you?”) and how to confront and deal with that treatment
  • What are the specific changes that have affected, and are continuing to affect, the writing marketplace. Are there “new rules” or double standards for youngsters starting out?
  • Gender and racial diversity issues from all sides, from straight white guys to people of color to LGBT and women
  • Building a personal brand and aiming for career stability

There will be moderated question-and-answer sessions from the audience, and time to network with the panelists afterward.

This month’s writers’ panel is part of a two-part look at the nuts and bolts of getting — and keeping! — employment as a writer.
Next month, on November 21, we cover age discrimination against older writers — and the legal and career remedies for it.

Our panel:

jeff-porterJeff Porter is the founder, President, and CEO of Porter Pictures, one of the leading producers’ services agencies in Beverly Hills, providing both sales and investment strategies to indie filmmakers and reality producers.

He has successfully sold projects to HBO, Showtime, Starz/Encore, Discovery, BET, and countless international outlets.  Recent films include The North Star (RLJ Entertainment), Live Life! (Discovery), Mouthpiece, But Not For Me, and nearly 100 other titles from the horror, comedy, urban, and documentary/reality genres.

Jeff has worked with the Las Vegas Black Film Festival, Tyler Perry Networks, spoken at BET-Noize and the Las Vegas Film Festival, and helped found the Center for Music and Film at his alma mater, the University of Nevada at Las Vegas.

carole-kirschner-headshot-2013Carole Kirschner, Director of the Writers Guild of America’s Showrunner Training Program and the CBS Diversity Writers Mentoring Program, has a passion for helping aspiring writers, producers and executives break in, stay in and move up in the entertainment industry.

Having worked as a senior level television development executive for eighteen years (including at CBS and as head of Steven Spielberg’s first Amblin Television), Carole has heard over 3,000 pitches, bought hundreds of projects and was involved in developing dozens of television series.

She’s also helped hundreds of talented ambitious newcomers break into Hollywood.

Now an international speaker and entertainment career coach, she teaches creative professionals how to navigate the often mystifying field of show business.

Her book, Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment, published by Michael Wiese Publishing, is assigned as a textbook in film/television classes at various colleges and universities.

mike-vainisiMike Vainisi is the Head of Editorial at ATTN:, an issues-driven media company with a mission to deliver engaging content to a mobile-first audience. Every day ATTN: produces videos, articles and commentary telling stories worth your attention.

Since joining the team in November of 2014, he has been managing the daily editorial operations for both the video and written content. He oversees a team of editors and writers and works with the video team to ensure that ATTN:’s content is issue-driven. In just two years, with no paid growth, ATTN:’s content receives more than 2 billion monthly impressions and over 400 million monthly video views.

Mike studied journalism at the University of Illinois and cut his teeth on political campaigns before attending law school. Mike and his wife Allison live in Los Angeles.

Josh Grapes
Josh Grapes graduated from Sarah Lawrence College in 2013, one of LA’s prodigal sons returned from the East.
He’s a freelance editor and teaches writing and editing classes within the Los Angeles Poets & Writers’ Collective.His work in the field provides both inspirational and financial support for his own writing, and he hopes to publish a collection of poems by the end of 2017.

Posted on

Building a Career as a Young Writer

Panel:
You’ve Graduated — So Now What?
Building a Career — and Getting Your Foot in the Door as a Young Writer Today

Monday, October 24, 2016
7:30 to 9:15 p.m. (networking follows the program)

It was never easy to begin a career in writing, journalism, or entertainment — but despite the advances made by women and people of color, it often seems like the barriers, obstacle courses, and glass ceilings getting past the “gatekeepers” has gotten harder for everyone over the past 15 or 20 years, not to mention since the 2008 meltdown.

This month we deal with the challenges faced by young, Millennial and Generation X writers, and first-time writers (of all ages) at the beginnings and the early mid-points of their careers.
Scheduled topics will include:

  • How to apply for jobs in online journalism and Hollywood — do’s and don’ts
  • What are editors, literary agents, and human resources screeners looking for — and what do they demand — in young, starting-out writers
  • How to protect the accomplishments you have against being normalized and dissed (e.g. “Anybody can do what you do! What’s so special about you?”) and how to confront and deal with that treatment
  • What are the specific changes that have affected, and are continuing to affect, the writing marketplace. Are there “new rules” or double standards for youngsters starting out?
  • Gender and racial diversity issues from all sides, from straight white guys to people of color to LGBT and women
  • Building a personal brand and aiming for career stability

There will be moderated question-and-answer sessions from the audience, and time to network with the panelists afterward.

This month’s writers’ panel is part of a two-part look at the nuts and bolts of getting — and keeping! — employment as a writer.
Next month, on November 21, we cover age discrimination against older writers — and the legal and career remedies for it.

Our panel:

jeff-porterJeff Porter is the founder, President, and CEO of Porter Pictures, one of the leading producers’ services agencies in Beverly Hills, providing both sales and investment strategies to indie filmmakers and reality producers.

He has successfully sold projects to HBO, Showtime, Starz/Encore, Discovery, BET, and countless international outlets.  Recent films include The North Star (RLJ Entertainment), Live Life! (Discovery), Mouthpiece, But Not For Me, and nearly 100 other titles from the horror, comedy, urban, and documentary/reality genres.

Jeff has worked with the Las Vegas Black Film Festival, Tyler Perry Networks, spoken at BET-Noize and the Las Vegas Film Festival, and helped found the Center for Music and Film at his alma mater, the University of Nevada at Las Vegas.

carole-kirschner-headshot-2013Carole Kirschner, Director of the Writers Guild of America’s Showrunner Training Program and the CBS Diversity Writers Mentoring Program, has a passion for helping aspiring writers, producers and executives break in, stay in and move up in the entertainment industry.

Having worked as a senior level television development executive for eighteen years (including at CBS and as head of Steven Spielberg’s first Amblin Television), Carole has heard over 3,000 pitches, bought hundreds of projects and was involved in developing dozens of television series.

She’s also helped hundreds of talented ambitious newcomers break into Hollywood.

Now an international speaker and entertainment career coach, she teaches creative professionals how to navigate the often mystifying field of show business.

Her book, Hollywood Game Plan: How to Land a Job in Film, TV and Digital Entertainment, published by Michael Wiese Publishing, is assigned as a textbook in film/television classes at various colleges and universities.

mike-vainisiMike Vainisi is the Head of Editorial at ATTN:, an issues-driven media company with a mission to deliver engaging content to a mobile-first audience. Every day ATTN: produces videos, articles and commentary telling stories worth your attention.

Since joining the team in November of 2014, he has been managing the daily editorial operations for both the video and written content. He oversees a team of editors and writers and works with the video team to ensure that ATTN:’s content is issue-driven. In just two years, with no paid growth, ATTN:’s content receives more than 2 billion monthly impressions and over 400 million monthly video views.

Mike studied journalism at the University of Illinois and cut his teeth on political campaigns before attending law school. Mike and his wife Allison live in Los Angeles.

Josh Grapes
Josh Grapes graduated from Sarah Lawrence College in 2013, one of LA’s prodigal sons returned from the East.
He’s a freelance editor and teaches writing and editing classes within the Los Angeles Poets & Writers’ Collective.His work in the field provides both inspirational and financial support for his own writing, and he hopes to publish a collection of poems by the end of 2017.

Posted on

Documentaries: The Writer’s Vision Illuminated

Panel:
DOCUMENTARIES: The Writer’s Vision Illuminated

Monday, July 25, 2016
7:30 to 9:15 p.m. (networking follows the program)

Rounding off our media triumvirate, our July panel will present some fascinating documentary filmmakers.

The journey from concept to production, distribution and sales presents quite the challenge. Documentarians possess the devotion to their subject and a certain single-mindedness that, if the fates allow, lead them to a worthy finished product.

Documentaries can inform, misinform, soothe, infuriate, stimulate, or they can be a yawn. Our panel of experts will address these issues, of course with a decidedly strong focus on the writing.

If you look at the list of documentaries in the past several years, you will find almost every subject, from the political, to health, to the obscure, and more. A unique collaboration is enjoyed with this form.

We will cover, as time permits:
– Concept
– Writing, rewriting
– Collaboration
– Finding information sources
– Permissions and legal hurdles, ownership
– Getting it noticed, promotion
– Why did you do this documentary
– Budget, number of staff needed, money raising
– Distribution
– How ideas morph during the process
– What makes the documentary successful, and how do you define this success? …and more
– plus your questions!

Our panelists:

Tom Jennings
Tom Jennings

TOM JENNINGS is an award-winning television and documentary movie producer with more than 400 hours of programming to his credit.

Tom started his career as a journalist, writing for newspapers including the New York Times and the Los Angeles Times.

After covering the O.J. Simpson criminal trial, he began making non-fiction films as a writer for the Discovery Networks. Writing led to producing, which led to directing for several production companies.

In 2004 Tom founded Tom Jennings Productions and began producing his own television shows and documentary films.

Tom has won and been nominated for many awards including a Pulitzer Prize for Investigative journalism, the News and Documentary Emmy Awards and several New York Festival Awards. In 2013, his new company – 1895 Films – won the prestigious Peabody Award for his documentary about the assassination of Dr. Martin Luther King. In 2015, The Fidel Castro Tapes was nominated for a News & Documentary Emmy.

Stephanie Hubbard
Stephanie Hubbard

STEPHANIE HUBBARD has been in the non-fictional trenches making documentaries since she moved to Los Angeles with her Masters in Film and Television writing and Production from The Newhouse School of Communications in 1996.

Moving from editing and writing to producing, directing and story consulting as well as coaching other documentary directors she has been closely involved with over 30 documentary projects, nearly all of which have been won extensive festival awards.

The most recent film she consulted on was sold to Netflix for doc figures, the previous project was named one of the top 25 documentaries on Netflix. The latest documentary she directed is “Improv Death Ice Age” (you can find it at Vimeo on demand) and the doc she directed previously is currently available on time warner, video on demand as “Ride to Heaven: an existential theme park mystery”.

Hubbard consults and teaches documentary and dos memoir consulting world-wide from her base in Los Angeles. You can find her at TheDocumentaryInsider.com where she blogs about documentary making.

Karla DiBenedetto
Karla DiBenedetto

KARLA DiBENEDETTO is an award-winning writer, producer, and director who strives to create socially relevant and commercially viable entertainment.

Her short films: “Running Home,” “On the Grind” and “Trophy” have screened in countless film festivals worldwide.

Trophy was an official selection of Outfest, Frameline, Reeling, Philadelphia QFest, Provincetown International Film Festival and the Miami Gay and Lesbian Film Festival. “Trophy” aired in 2009 on the MTV Network’s Logo Channel. “Trophy” won several awards including the HBO Shout GLBT Short Film Competition and the MTVN/Logo Best in Shorts.

Karla’s documentary short, “On the Grind,” was an official selection of the Starz Denver Film Festival, San Francisco International Festival of Short Films and the Arizona Black Film Showcase. “On the Grind” won the Studs Terkel Community Media Award, which honors documentarians that take risks in covering social issues.

OUR MODERATOR

Susan Karlin
Susan Karlin

SUSAN KARLIN is an award-winning science and technology journalist based in Los Angeles, covering the nexus of science and arts, with a fondness for sci-fi and comics.

Susan’s a regular contributor to Fast Company and IEEE Spectrum, and has written for Newsweek, Forbes, Wired, Scientific American, Discover, The New York Times, NPR, and BBC Radio.

She has also traveled to every continent, reporting from such diverse areas as Vietnam, the Arctic, and the West Bank.

Follow her @SueKarlin.

Posted on

Documentaries: The Writer’s Vision Illuminated

Panel:
DOCUMENTARIES: The Writer’s Vision Illuminated

Monday, July 25, 2016
7:30 to 9:15 p.m. (networking follows the program)

Rounding off our media triumvirate, our July panel will present some fascinating documentary filmmakers.

The journey from concept to production, distribution and sales presents quite the challenge. Documentarians possess the devotion to their subject and a certain single-mindedness that, if the fates allow, lead them to a worthy finished product.

Documentaries can inform, misinform, soothe, infuriate, stimulate, or they can be a yawn. Our panel of experts will address these issues, of course with a decidedly strong focus on the writing.

If you look at the list of documentaries in the past several years, you will find almost every subject, from the political, to health, to the obscure, and more. A unique collaboration is enjoyed with this form.

We will cover, as time permits:
– Concept
– Writing, rewriting
– Collaboration
– Finding information sources
– Permissions and legal hurdles, ownership
– Getting it noticed, promotion
– Why did you do this documentary
– Budget, number of staff needed, money raising
– Distribution
– How ideas morph during the process
– What makes the documentary successful, and how do you define this success? …and more
– plus your questions!

Our panelists:

Tom Jennings
Tom Jennings

TOM JENNINGS is an award-winning television and documentary movie producer with more than 400 hours of programming to his credit.

Tom started his career as a journalist, writing for newspapers including the New York Times and the Los Angeles Times.

After covering the O.J. Simpson criminal trial, he began making non-fiction films as a writer for the Discovery Networks. Writing led to producing, which led to directing for several production companies.

In 2004 Tom founded Tom Jennings Productions and began producing his own television shows and documentary films.

Tom has won and been nominated for many awards including a Pulitzer Prize for Investigative journalism, the News and Documentary Emmy Awards and several New York Festival Awards. In 2013, his new company – 1895 Films – won the prestigious Peabody Award for his documentary about the assassination of Dr. Martin Luther King. In 2015, The Fidel Castro Tapes was nominated for a News & Documentary Emmy.

Stephanie Hubbard
Stephanie Hubbard

STEPHANIE HUBBARD has been in the non-fictional trenches making documentaries since she moved to Los Angeles with her Masters in Film and Television writing and Production from The Newhouse School of Communications in 1996.

Moving from editing and writing to producing, directing and story consulting as well as coaching other documentary directors she has been closely involved with over 30 documentary projects, nearly all of which have been won extensive festival awards.

The most recent film she consulted on was sold to Netflix for doc figures, the previous project was named one of the top 25 documentaries on Netflix. The latest documentary she directed is “Improv Death Ice Age” (you can find it at Vimeo on demand) and the doc she directed previously is currently available on time warner, video on demand as “Ride to Heaven: an existential theme park mystery”.

Hubbard consults and teaches documentary and dos memoir consulting world-wide from her base in Los Angeles. You can find her at TheDocumentaryInsider.com where she blogs about documentary making.

Karla DiBenedetto
Karla DiBenedetto

KARLA DiBENEDETTO is an award-winning writer, producer, and director who strives to create socially relevant and commercially viable entertainment.

Her short films: “Running Home,” “On the Grind” and “Trophy” have screened in countless film festivals worldwide.

Trophy was an official selection of Outfest, Frameline, Reeling, Philadelphia QFest, Provincetown International Film Festival and the Miami Gay and Lesbian Film Festival. “Trophy” aired in 2009 on the MTV Network’s Logo Channel. “Trophy” won several awards including the HBO Shout GLBT Short Film Competition and the MTVN/Logo Best in Shorts.

Karla’s documentary short, “On the Grind,” was an official selection of the Starz Denver Film Festival, San Francisco International Festival of Short Films and the Arizona Black Film Showcase. “On the Grind” won the Studs Terkel Community Media Award, which honors documentarians that take risks in covering social issues.

OUR MODERATOR

Susan Karlin
Susan Karlin

SUSAN KARLIN is an award-winning science and technology journalist based in Los Angeles, covering the nexus of science and arts, with a fondness for sci-fi and comics.

Susan’s a regular contributor to Fast Company and IEEE Spectrum, and has written for Newsweek, Forbes, Wired, Scientific American, Discover, The New York Times, NPR, and BBC Radio.

She has also traveled to every continent, reporting from such diverse areas as Vietnam, the Arctic, and the West Bank.

Follow her @SueKarlin.

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IWOSC Goes to the Movies: Feature Film Screenwriting 101

Panel
IWOSC Goes to the Movies: Feature Film Screenwriting 101

Monday, June 27, 2016
7:30 to 9:15 p.m. (networking follows the program)

In Hollywood, nothing says success more than a sequel -– and following on the heels of our successful TV Writing Program last month, IWOSC is proud to present a trip from small-screen to big, with our Screenwriting Panel.

Just in time for this year’s summer blockbusters, we’re assembling a panel of proven screenwriters, critics/coaches, and literary agents to discuss how to break down the barriers to the box office, and bring our stories to life for the movies.

We’ll be discussing things like:

  • How to get your foot in the door with an unproduced screenplay
  • Independent vs. studio films
  • Screenwriting technique -– showing not telling and visual storytelling
  • Building irresistible characters and stories
  • Plot vs. character and the different genres and demographics of films
  • Maintaining tension and audience interest,
  • Adapting your own material into a screenplay

And much much more, including plenty of Q&A from the audience!

Our panelists:

Robert Ramsey
Robert Ramsey

Robert Ramsey teaches screenwriting at USC School of Cinematic Arts.

His feature film credits include Destiny Turns on the Radio (1995); Life(1999); Big Trouble (2002); Intolerable Cruelty (2003); Man of the House(2005); and Soul Men (2008). He was a Fellow at the Sundance Screenwriters Workshop in 1992.He received a Bachelor of Science from Northwestern’s Medill School of Journalism in 1985 and has been a member of the WGA since 1988.

Alton Glass
Alton Glass

Alton Glass, is an award-winning Director, Producer and Writer with an impressive self-made story.At the American Black Film Festival In 2007, Glass won the Grand Jury Awards for Best Director and Best Screenplay for his second independent film, The Mannsfield 12.

At the same festival in 2014, his film CRU won a record-breaking number of awards, including the Audience Award for Best Film.

He then produced A Second Chance Christmas for TVONE, which has become a holiday classic.

Alton is also the founder of Glassrock Entertainment, a full-service production company that specializes in TV/film production, development, new media and technology.

You can visit his engaging website at alton-glass.com.

Marilyn Anderson
Marilyn Anderson

Marilyn Anderson co-wrote and Executive Produced the new family feature How to Beat a Bully, just released on DVD at Walmart stores and elsewhere. Her new feature, Cold Feet – A Wedding Tale, scheduled to go into production later this year. Marilyn won a LUMINAS Award for the Positive Depiction of Women in Film and was honored by the WGA as a writer of one of the 101 Best TV Shows of the past seven decades. TV shows she has written for include Murphy Brown, FAME, Sherman Oaks, and Friday the 13th the Series.

Marilyn is the author of a humorous relationship book, Never Kiss a Frog: A Girl’s Guide to Creatures from the Dating Swamp. In the world of new media, Marilyn wrote, produced and stars in a Web Series to launch soon along with her book of the same title: How to Live Like a MILLIONAIRE… When You’re a MILLION Short. She also works as a script consultant to producers and writers.

Her websites are NeverKissaFrog.comHowtoBeataBullyTheMovie.com and HowtoLiveLikeaMillionaire.com.

Posted on

IWOSC Goes to the Movies: Feature Film Screenwriting 101

Panel
IWOSC Goes to the Movies: Feature Film Screenwriting 101

Monday, June 27, 2016
7:30 to 9:15 p.m. (networking follows the program)

In Hollywood, nothing says success more than a sequel -– and following on the heels of our successful TV Writing Program last month, IWOSC is proud to present a trip from small-screen to big, with our Screenwriting Panel.

Just in time for this year’s summer blockbusters, we’re assembling a panel of proven screenwriters, critics/coaches, and literary agents to discuss how to break down the barriers to the box office, and bring our stories to life for the movies.

We’ll be discussing things like:

  • How to get your foot in the door with an unproduced screenplay
  • Independent vs. studio films
  • Screenwriting technique -– showing not telling and visual storytelling
  • Building irresistible characters and stories
  • Plot vs. character and the different genres and demographics of films
  • Maintaining tension and audience interest,
  • Adapting your own material into a screenplay

And much much more, including plenty of Q&A from the audience!

Our panelists:

Robert Ramsey
Robert Ramsey

Robert Ramsey teaches screenwriting at USC School of Cinematic Arts.

His feature film credits include Destiny Turns on the Radio (1995); Life(1999); Big Trouble (2002); Intolerable Cruelty (2003); Man of the House(2005); and Soul Men (2008). He was a Fellow at the Sundance Screenwriters Workshop in 1992.He received a Bachelor of Science from Northwestern’s Medill School of Journalism in 1985 and has been a member of the WGA since 1988.

Alton Glass
Alton Glass

Alton Glass, is an award-winning Director, Producer and Writer with an impressive self-made story.At the American Black Film Festival In 2007, Glass won the Grand Jury Awards for Best Director and Best Screenplay for his second independent film, The Mannsfield 12.

At the same festival in 2014, his film CRU won a record-breaking number of awards, including the Audience Award for Best Film.

He then produced A Second Chance Christmas for TVONE, which has become a holiday classic.

Alton is also the founder of Glassrock Entertainment, a full-service production company that specializes in TV/film production, development, new media and technology.

You can visit his engaging website at alton-glass.com.

Marilyn Anderson
Marilyn Anderson

Marilyn Anderson co-wrote and Executive Produced the new family feature How to Beat a Bully, just released on DVD at Walmart stores and elsewhere. Her new feature, Cold Feet – A Wedding Tale, scheduled to go into production later this year. Marilyn won a LUMINAS Award for the Positive Depiction of Women in Film and was honored by the WGA as a writer of one of the 101 Best TV Shows of the past seven decades. TV shows she has written for include Murphy Brown, FAME, Sherman Oaks, and Friday the 13th the Series.

Marilyn is the author of a humorous relationship book, Never Kiss a Frog: A Girl’s Guide to Creatures from the Dating Swamp. In the world of new media, Marilyn wrote, produced and stars in a Web Series to launch soon along with her book of the same title: How to Live Like a MILLIONAIRE… When You’re a MILLION Short. She also works as a script consultant to producers and writers.

Her websites are NeverKissaFrog.comHowtoBeataBullyTheMovie.com and HowtoLiveLikeaMillionaire.com.

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Behind The Screen: Writing for TV Today – and Tomorrow

Panel
Behind The Screen: Writing for TV Today – and Tomorrow

Writing-for-TV_1124_2500x811

Monday, May 23, 2016
7:30 to 9:15 p.m. (time permitting, networking follows the program)

TV is a booming business for writers with one-hour dramas and dramedies, half hour semi-comedic series and animation. Even reality TV relies on writers to come up with hours of new, different and compelling material.

This panel will discuss what it takes to get into TV writing – and what it takes to stay there.

  • What are the jobs?
  • Where are they?
  • How do you get them?
  • What do those jobs entail?
  • Do you need a spec script to get into the game – and which one(s).

We’ll look at the current state of the art of writing for television, including:

  • Pitching.
  • How scripts are constructed, and re-constructed, in the writers’ rooms and the executive suites.
  • How writers deal with networks – and vice versa.
  • How to use the highly-structured TV formats to strengthen your writing.
  • How to break a story – and put it back together.

Our panelists:

Gaye Hirsch
Gaye Hirsch

GAYE HIRSCH serves as Co-Head/Senior Vice President of Scripted Development at The CW Network, where she oversees development and production of scripted pilots for the network. She originally joined The CW as Vice President of Current Programming.

Previously, Ms Hirsch served as a Senior Executive at Cruise/Wagner Productions, where she managed the development slate and was a producer on “Shattered Glass” and “Suspect Zero.”

Prior to Cruise/Wagner, she was Vice President of Production for HBO Films, supervising development and production of Emmy and Golden Globe Award-winning films including “Gia” and “Introducing Dorothy Dandridge.”

Before HBO, Ms. Hirsch served as Vice President, Production at Robert Lawrence Productions.

She began her career at Touchstone Pictures as a Creative Executive, ultimately becoming Vice President, Production. Gaye is sorry but legal affairs will not permit her to accept any scripts or hear any pitches.

Alex Metcalf
Alex Metcalf

ALEX METCALF is currently a Writer/Producer on the Peabody Award-winning series UnREAL (Lifetime).

Alex has written for Kingdom (DirectTV), Mercy Street (PBS) and the short-lived Lucky 7 (ABC).

His features include God’s Pocket with Phillip Seymour Hoffman and An American Affair with Gretchen Mol and author of the hardboiled novel, Where the Sun Don’t Shine.

Alex has taught screenwriting at UCLA, LMU and the Stark Program at USC.

Steve Cuden
Steve Cuden

STEVE CUDEN has written nearly ninety teleplays for many familiar TV series, such as X-Men, The Batman, Iron Man, Xiaolin Showdown, Loonatics Unleashed, The Mask, Goof Troop, Bonkers, Quack Pack, Gargoyles, Beetlejuice, Pink Panther, RoboCop, Extreme Ghostbusters, Stargate Infinity, ExoSquad, and Mummies Alive.

Steve directed and co-produced the cult-favorite horror-comedy feature Lucky, winning the award for Best Director at the Nodance Film Festival. Lucky also won awards for Best Feature at the New York City Horror Film Festival, Shriekfest in Los Angeles, MicroCineFest in Baltimore, and The Weekend of Fear in Nuremberg, Germany.

He also authored the popular book, Beating Broadway: How to Create Stories for Musicals That Get Standing Ovations and his new book is Beating Hollywood.

Steve Cuden is perhaps best known for co-creating the hit Broadway and international musical Jekyll & Hyde, writing the show’s original book and lyrics with noted composer Frank Wildhorn.

He has a Master of Fine Arts degree in Screenwriting from UCLA. He teaches a wide variety of screenwriting classes to the many talented Cinema Arts students attending the Conservatory of Performing Arts at Point Park University in Pittsburgh, Pennsylvania.

Marc Weingarten
Marc Weingarten

MARC WEINGARTEN is a writer, editor and filmmaker. He is a producer for the shows THE BACHELOR, THE BACHELORETTE and BACHELOR IN PARADISE.

As a journalist, Weingarten’s work has appeared in countless publications, including GQ, Details, Oxford American, The New York Times, Wired, GQ, Esquire, Los Angeles Times, Salon and Slate.

His 2009 Salon story, ‘The Lear Jet Repo Man,” was purchased by Paramount pictures and is to be made into a feature film with producers Roberto Orci and Alex Kurtzmann (Transformers, Star Trek).

He has written the books THIRSTY: WILLIAM MULHOLLAND CALIFORNIA WATER AND THE REAL CHINATOWN, STATION TO STATION, an LA Times bestseller and a finalist for the Ralph J. Gleason award for music book of the year; and THE GANG THAT WOULDN’T WRITE STRAIGHT, a history of New Journalism.

He is also the editor of YES IS THE ANSWER, a prog-rock anthology, and co-editor of HERE SHE COMES NOW, n anthology of essays about female musicians.

Weingarten has also produced two documentaries. GOD BLESS OZZY OSBOURNE premiered at the Tribeca Film Festival and can be seen on Showtime; THE OTHER ONE: THE LONG, STRANGE TRIP OF BOB WEIR is Netflix’ first original music documentary.

Greg Miler, photo by Allan Miller
Greg Miler, photo by Allan Miller

Moderator:
GREG MILLER
(producer and moderator) is the author of “How To Be A Writer Who Writes” and the new reference e-book, “Miller’s Compendium of Timeless Tools for the Modern Writer”.Greg has written for magazines, radio, tv and film. He has taught classes and workshops for writers and now consults and coaches writers for books and scripts.

You can learn more at OtherNetwork.com.