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Annual IWOSC Summer Party

Annual IWOSC Summer Party

Saturday, August 16, 2008
5 to 8 p.m.

Don’t miss the opportunity to rub elbows with some of Southern California’s most interesting writers while enjoying a light repast and quenching drinks in a unique historic setting — the Heritage Square Museum in Highland Park. We will also toast IWOSC’s 25th Anniversary with champagne and a special celebration cake.

heritage_squareHeritage Square is a unique collection of eight historic structures, all constructed during the Victorian Era, and all saved from demolition and moved to this site to create a living history museum reflecting the settlement and development of Southern California. Today, the Heritage Square Museum offers visitors a look into the everyday lives of Southern Californians at the close of the 19th Century.

 

  • Docent-led tours of several Heritage Square buildings
  • Appetizers
  • A light dinner repast (including vegetarian options)
  • Program followed by dessert and champagne
  • The party concludes at dusk — there are no electric lights at Heritage Square.

Directions:
Exit Avenue 43 from the Pasadena/ 110 Freeway. Homer Street is just east of the freeway, running parallel to it. Turn RIGHT (south) on Homer and drive all the way to the end of the very long block, and then turn sharp right into the parking area. Parking is free.

Heritage Square Museum, 3800 Homer Street, Los Angeles, California 90031
Tel. 323-225-2700

Party with a Purpose — Adopt a book

IWOSC has a longstanding tradition of supporting the Los Angeles Public Library.
In 1986, when an arson fire destroyed 400,000 volumes, and damaged countless more books, periodicals and other materials in Downtown’s iconic 1926 Bertram Goodhue-designed Egyptian Revival-style Central Library, IWOSC members jumped in, rolled up their sleeves, and helped out.

As IWOSC celebrates its quarter century of supporting writers and the writing life in Southern California, we are again calling upon our members and friends to dig in and help the Library, this time by adopting much-needed books.

As part of these annual Summer Party festivities, we are asking you to adopt one or more specific books that the Library Foundation of Los Angeles has identified as needed enhancements by the Central Library and/or its branches. You can make your book donation at the party by sending it to the IWOSC office.

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Annual IWOSC Winter Party — IWOSC Holiday Bash at the Biltmore!

Party
Annual IWOSC Winter Party — IWOSC Holiday Bash at the Biltmore!

Biltmore Rendezvous Court
Biltmore Rendezvous Court

Thursday, December 4, 2008

5:45 p.m to 10 p.m.

5:45: No-host cocktails or library tour
7:30: Dinner and program

Kick off the season in style at IWOSC’s annual Holiday Bash at the Biltmore! Follow the tradition of presidents, celebrities, dignitaries – and IWOSC writers – by celebrating history, architectural splendor, and creativity at the beautiful downtown Biltmore Hotel!

Join your fellow scribes and guests on Thursday, December 4, at one of L.A.’s most beautiful locations: the historic, elegant, architecturally awesome Millenium Biltmore Hotel in downtown Los Angeles.

SmeraldisWe’ll meet for no-host cocktails in the gorgeous Rendezvous Court, or take an escorted tour of the hotel, including the Presidential Suite.
We’ll dine at the Biltmore’s Smeraldi’s Restaurant, on their famous custom pasta bar with all the trimmings, salad, non-alcoholic beverages and dessert. There will also be a no-host bar.

Awards and prizes follow.
We’ll have drawings for some terrific door prizes.

No-host cocktails and library tour begin at 5:45 p.m.
Dinner is at 7:30, followed by program.

Location:
Millenium Biltmore Hotel Los Angeles
506 South Grand Avenue
Los Angeles, CA 90071-2607

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From Books to Film – Romance or Nightmare?

Panel
From Books to Film – Romance or Nightmare?

Monday, November 24, 2008

Look what they’ve done to my book, Ma!

The Independent Writers of Southern California presents a special program on what getting “The Hollywood Treatment” means for writers—and how a writer can best position his or her work for a screen option.  What can a novelist expect when your book gets an offer to be adapted into a movie? For that matter, what storytelling qualities help make a novel, biography/memoir, or news article a must-see for the screen? And likewise, how has the lightning pace of movies and TV changed what Larry McMurtry calls “the Culture of the Book?”

Those are some of the main questions IWOSC’s November panel, produced and moderated by Telly Davidson, will deal with, featuring an “A-List” lineup of Hollywood experts from both sides of the industry: top writers who have had their material adapted for the screen (or who have worked on adaptations of other people’s work), and the literary agents and executives who help decide WHICH books and articles garner a movie deal. Students, entertainment writers, and (aspiring) writers of either books or screenplays will find much to learn, a Q&A, plus networking with the panelists following the discussion.

The Panelists:
BARBARA SCHIFFMAN brings three decades’ experience to her role as a script supervisor, consultant, and acquisitions executive in film and television. Her long list of script consulting clients includes studio, network and indie producers plus writers and directors. Her current clients include HBO Films, Picturehouse and Miramax. She’s also a published journalist/author, a featured speaker at many film/publishing industry events and pitchfests, and co-founded Toastmasters 4 Writers. In addition, she has coached private clients and people working in all areas of film, TV, music, new media and writing/publishing over the past 12 years as a coach/ trainer for Flash Forward Institute. She also currently hosts/produces the weekly Internet radio show “Living in Balance,” and, as a Life Balance Coach, teaches tools to help people fulfill their life/career visions.

PETER LEFCOURT is the best-selling author of the satirical novels “The Dreyfus Affair” (about a gay baseball player, and a possible inspiration for Broadway’s recent hit “Take Me Out”), “Di and I”,”Eleven Karens,” “Abbreviating Ernie,” “The Woody,” and “The Deal”—which was recently made into a motion picture starring William H. Macy, Meg Ryan, and LL Cool Jay, and premiered at the Sundance Film Festival.  In 2005, he published a sequel to the novel version of “The Deal,” called “The Manhattan Beach Project.”   In addition to his own book-to-film deals, his other film and TV credits include the Emmy-winning landmark “Cagney & Lacey” and the critically acclaimed Showtime satire of Hollywood, “Beggars & Choosers,” which ran from 1999 to 2001. Lefcourt recently edited the nonfiction compilation “The First Time I Got Paid For It,” a collection of real-life stories of writers’ “first times” selling their scripts in movies and TV.

MARVIN J. WOLF is one of the founding fathers of IWOSC, and has served four terms as president of the organization. Wolf is the recipient of numerous awards from the Los Angeles Press Club, the US Marine Corps Combat Correspondents’ Association, and also received the 1994 Lifetime Achievement winner from the American Society of Journalists and Authors.  He has written as a professional since 1965, and his byline has appeared in periodicals and bookstores in at least 132 nations. After a decade of military service, he has been the author, co-author or ghost writer of a dozen books and hundreds of magazine and newspaper articles, including the bestsellers “Where White Men Fear to Tread” and “Fallen Angels.”  His screen credits include 1993’s “Bloodlines: Murder in the Family” and the 2005 USA Network movie “Ladies Night,” which he adapted for the screen from his short story.  He recently completed his memoir, “The Best Outhouse in Vietnam (and Other War Stories I Never Told Mom),” which is awaiting publication.

BRIAN LIPSON is a Senior Literary Agent at the prestigious Endeavor Agency in Beverly Hills. He has enjoyed a stellar career as a literary agent on both sides of the book world, selling books for top advances to New York publishers and also optioning them and others for the screen in Hollywood.  Prior to his job at Endeavor, Lipson was a top agent with Joel Gotler and Allan Nevins’ Renaissance Literary Management.  His long client list has included writers and celebrities including the likes of Dean Koontz, Harlan Coben, Sharon Osbourne, Stephen Ambrose, Brad Meltzer, and Joyce Carol Oates.

Moderator:
IWOSC’s own Telly Davidson, who last helmed January’s panel, “Trends in the Book Biz.” Davidson is a film and TV critic with FilmStew.com, Yahoo Movies, and Hollywood Master Storytellers. He has written for “Entertainment Today,” “TV-Now,” “H” magazine, “Guitar Player,” The213.Net, and the American Film Institute. He has worked on TV’s “Pioneers of Primetime” and “Most Outrageous Game Show Moments,” and his book on classic television, “TV’s Grooviest Variety Shows,” was published to top reviews in 2006. He is currently working on other media tie-in projects and has just completed a novel, which has attracted the interest of several major agents. A member of PEN, he is working on founding a program to promote and interview young/emerging novelists, poets, and screenwriters.

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From Books to Film – Romance or Nightmare?

Panel
From Books to Film – Romance or Nightmare?

Monday, November 24, 2008

Look what they’ve done to my book, Ma!

The Independent Writers of Southern California presents a special program on what getting “The Hollywood Treatment” means for writers—and how a writer can best position his or her work for a screen option.  What can a novelist expect when your book gets an offer to be adapted into a movie? For that matter, what storytelling qualities help make a novel, biography/memoir, or news article a must-see for the screen? And likewise, how has the lightning pace of movies and TV changed what Larry McMurtry calls “the Culture of the Book?”

Those are some of the main questions IWOSC’s November panel, produced and moderated by Telly Davidson, will deal with, featuring an “A-List” lineup of Hollywood experts from both sides of the industry: top writers who have had their material adapted for the screen (or who have worked on adaptations of other people’s work), and the literary agents and executives who help decide WHICH books and articles garner a movie deal. Students, entertainment writers, and (aspiring) writers of either books or screenplays will find much to learn, a Q&A, plus networking with the panelists following the discussion.

The Panelists:
BARBARA SCHIFFMAN brings three decades’ experience to her role as a script supervisor, consultant, and acquisitions executive in film and television. Her long list of script consulting clients includes studio, network and indie producers plus writers and directors. Her current clients include HBO Films, Picturehouse and Miramax. She’s also a published journalist/author, a featured speaker at many film/publishing industry events and pitchfests, and co-founded Toastmasters 4 Writers. In addition, she has coached private clients and people working in all areas of film, TV, music, new media and writing/publishing over the past 12 years as a coach/ trainer for Flash Forward Institute. She also currently hosts/produces the weekly Internet radio show “Living in Balance,” and, as a Life Balance Coach, teaches tools to help people fulfill their life/career visions.

PETER LEFCOURT is the best-selling author of the satirical novels “The Dreyfus Affair” (about a gay baseball player, and a possible inspiration for Broadway’s recent hit “Take Me Out”), “Di and I”,”Eleven Karens,” “Abbreviating Ernie,” “The Woody,” and “The Deal”—which was recently made into a motion picture starring William H. Macy, Meg Ryan, and LL Cool Jay, and premiered at the Sundance Film Festival.  In 2005, he published a sequel to the novel version of “The Deal,” called “The Manhattan Beach Project.”   In addition to his own book-to-film deals, his other film and TV credits include the Emmy-winning landmark “Cagney & Lacey” and the critically acclaimed Showtime satire of Hollywood, “Beggars & Choosers,” which ran from 1999 to 2001. Lefcourt recently edited the nonfiction compilation “The First Time I Got Paid For It,” a collection of real-life stories of writers’ “first times” selling their scripts in movies and TV.

MARVIN J. WOLF is one of the founding fathers of IWOSC, and has served four terms as president of the organization. Wolf is the recipient of numerous awards from the Los Angeles Press Club, the US Marine Corps Combat Correspondents’ Association, and also received the 1994 Lifetime Achievement winner from the American Society of Journalists and Authors.  He has written as a professional since 1965, and his byline has appeared in periodicals and bookstores in at least 132 nations. After a decade of military service, he has been the author, co-author or ghost writer of a dozen books and hundreds of magazine and newspaper articles, including the bestsellers “Where White Men Fear to Tread” and “Fallen Angels.”  His screen credits include 1993’s “Bloodlines: Murder in the Family” and the 2005 USA Network movie “Ladies Night,” which he adapted for the screen from his short story.  He recently completed his memoir, “The Best Outhouse in Vietnam (and Other War Stories I Never Told Mom),” which is awaiting publication.

BRIAN LIPSON is a Senior Literary Agent at the prestigious Endeavor Agency in Beverly Hills. He has enjoyed a stellar career as a literary agent on both sides of the book world, selling books for top advances to New York publishers and also optioning them and others for the screen in Hollywood.  Prior to his job at Endeavor, Lipson was a top agent with Joel Gotler and Allan Nevins’ Renaissance Literary Management.  His long client list has included writers and celebrities including the likes of Dean Koontz, Harlan Coben, Sharon Osbourne, Stephen Ambrose, Brad Meltzer, and Joyce Carol Oates.

Moderator:
IWOSC’s own Telly Davidson, who last helmed January’s panel, “Trends in the Book Biz.” Davidson is a film and TV critic with FilmStew.com, Yahoo Movies, and Hollywood Master Storytellers. He has written for “Entertainment Today,” “TV-Now,” “H” magazine, “Guitar Player,” The213.Net, and the American Film Institute. He has worked on TV’s “Pioneers of Primetime” and “Most Outrageous Game Show Moments,” and his book on classic television, “TV’s Grooviest Variety Shows,” was published to top reviews in 2006. He is currently working on other media tie-in projects and has just completed a novel, which has attracted the interest of several major agents. A member of PEN, he is working on founding a program to promote and interview young/emerging novelists, poets, and screenwriters.

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Get your project seen by the right people

Seminar
Get your project seen — by the right people

Saturday, November 15, 2008

Michele Wallerstein, the Writer’s Consultant, and former literary agent, will guide you through the ways to move your projects into the world of motion picture studios, agents, publishers, and the television markets. Learn the secrets of successful networking and follow-up, as well as who to contact and how to do it.

About our presenter

Michele Wallerstein is a screenplay consultant, whose work includes helping writers get their work into marketable shape for the Hollywood community. A guest speaker at numerous film festivals, pitch fests, and writers’ groups around the country, Wallerstein teaches the business of your writing career, as well as how to get the most out of your material. Prior to becoming a consultant, she was a Hollywood literary agent who represented writers, directors, and producers in motion pictures, movies for television, and television series. Michele served as executive vice-president of Women In Film and was on the WIF board of directors for many years. As owner of The Wallerstein Company, she guided the careers of writers such as Larry Hertzog, Christopher Lofton, Peter Bellwood, Ronnie Christensen, Carol Mendelsohn, and Randall Wallace. Known as a very nurturing agent, with a vast knowledge of literature and movies, Wallerstein was responsible for selling million-dollar screenplays and elevating her clients up the ladder of success.

Her website is NovelConsultant.com.

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Get your project seen by the right people

Seminar
Get your project seen — by the right people

Saturday, November 15, 2008

Michele Wallerstein, the Writer’s Consultant, and former literary agent, will guide you through the ways to move your projects into the world of motion picture studios, agents, publishers, and the television markets. Learn the secrets of successful networking and follow-up, as well as who to contact and how to do it.

About our presenter

Michele Wallerstein is a screenplay consultant, whose work includes helping writers get their work into marketable shape for the Hollywood community. A guest speaker at numerous film festivals, pitch fests, and writers’ groups around the country, Wallerstein teaches the business of your writing career, as well as how to get the most out of your material. Prior to becoming a consultant, she was a Hollywood literary agent who represented writers, directors, and producers in motion pictures, movies for television, and television series. Michele served as executive vice-president of Women In Film and was on the WIF board of directors for many years. As owner of The Wallerstein Company, she guided the careers of writers such as Larry Hertzog, Christopher Lofton, Peter Bellwood, Ronnie Christensen, Carol Mendelsohn, and Randall Wallace. Known as a very nurturing agent, with a vast knowledge of literature and movies, Wallerstein was responsible for selling million-dollar screenplays and elevating her clients up the ladder of success.

Her website is NovelConsultant.com.

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Everything Graphic!

Panel
Everything Graphic!

Monday, October 27, 2008

Thinking of tackling a graphic novel, pictorial essay, or articles that require a photo or a drawing? You name it, we’ll discuss it. Our panel explains how to collaborate with a photographer or an illustrator to get your project realized or how to do it yourself.

The Panelists include:
HELEN K. GARBER is known for her black and white night urban landscape photographs seen in permanent museum, corporate, and private art collections. Her work, “A Night View of Los Angeles,” is a 40-foot-long, 360-degree view of LA on silk. She is preparing a live installation called “LA Noir” that incorporates image projections with text derived from pulp fiction (spoken word), and jazz composed in mid-century Los Angeles.

NAT GERTLER, is publisher of the About Comics line and the co-writer of “The Complete Idiot’s Guide to Creating a Graphic Novel.” A two-time Eisner Award nominee, Gertler has been writing comics for about 20 years, with credits at literally dozens of publishers including DC Comics, Image, and Archie.

BRAD RADER has worked as a layout and storyboard artist on TV series “Rainbow Brite,” “The Littles,” “The Real Ghostbusters,” “Alf,” “Alftails,” “Batman,” “Gargoyles,” and “Stripperella.” He directed “Captain Simian and the Space Monkeys,” “Spawn” (Emmy Award winner in 1999), and “The Roswell Conspiracies.” He illustrated comic books “Batman Adventures” and “Catwoman” for DC Comics among others. His graphic novel, “Fogtown,” will be published by DC/Vertigo Comics in 2009. SAM SATURDAY is the creator, writer and artist of all things from Load World Comics, most notably the comic strips “Load” and “Satan Funnies.” He has also self-published the comic books “Pope & Pig” and “Two Goats Bathing In Milk.” Sam’s most recent book is the Load collection “Why Do You Cry When I’m On Top?” Check out Sam’s work at LoadWorldComics.com.

ROBERT SCHMIDT is a freelance writer on business, gaming, and multicultural subjects. He has authored one book, “The National Jobline Directory,” and publishes “Peace Party,” the multicultural comic book featuring Native Americans. He is presently developing various comic book projects and his website, BlueCornComics.com.

Moderator ERIKA FABIAN is a photography instructor at UCLA. Fabian’s work has been published in 23 books and nearly 200 photo-illustrated articles. Her career includes many years of on-assignment travel and work with her late husband Albert Moldvay, for “National Geographic” magazine, “Westways,” and the “Los Angeles Times.”

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Your capsule bio: why you need it; how to craft it

Seminar
Your capsule bio: why you need it; how to craft it

Saturday, October 18, 2008

Whether you need a book-jacket blurb or a resume opening, these few words make the reader want more. Your capsule bio can be a sleek torpedo or bloated blimp. The best writers don’t always know which they’ve launched, as Alice Romano discovered when compiling IWOSC’s own directory. Follow the journalism creed of brevity and clarity to create your tasty intro.

Alice Romano, IWOSC past President and Intensive Writing Workshop facilitator, leads this seminar on how to create a succinct biography that is a quick read and plays to your strengths.

Seminar will include handouts, in-class exercises, and posit

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Magazine Editors’ Summit

Panel
Magazine Editors’ Summit

Monday, September 22, 2008

Top magazine editors reveal the inside track on getting your work published. Find out how to get the attention of an editor with a winning story pitch or query. Learn about the most recent trends in the magazine publishing world and where to direct your focus to generate assignments.

The Panelists:
JEAN-NOEL BASSIOR from AARP magazine

AURELIA D’ANDREA, editor for VegNews and two other magazines

DAVID WURTH, co-founder and editor of CSQ magazine

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CRAFTING THE EXCEPTIONAL MAGAZINE PITCH

Seminar
CRAFTING THE EXCEPTIONAL MAGAZINE PITCH

Saturday, September 20, 2008

Our speaker explains the dynamics behind creating a winning story pitch or query that will get the attention of editors around the country. Learn the fundamentals of a well-written story, one that will impress an editor every time. Tips and techniques are available for those writers who want to polish their skills.

Karlin is an award-winning, internationally published journalist who primarily covers science, technology, entertainment and business. She has written for such publications as Newsweek, Forbes, Esquire and The New York Times; garnered more than two dozen writing awards; and appeared on numerous TV and radio shows, including Good Morning America, CNN, NPR and BBC. She has also traveled to every continent, reporting from such diverse areas as Vietnam, the Arctic and the West Bank.