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Short stories

Panel
Short Stories

Monday, February 23, 2009

February is the shortest month of the year, so IWOSC is dedicating it to short stories!

Name your favorite short story.

Is it “The Gift of the Magi,” in which the wife cuts and sells her long hair to buy her husband a watch fob, while, unbeknownst to her, he sells the watch to buy her a beautiful comb for her hair? How did O. Henry create a short story of such lasting beauty? How did Edgar Allen Poe, Washington Irving, Saki, Kipling, Mark Twain, Bret Harte and many others create stories that we still read today?

More to the point, how can today’s aspiring O. Henry’ write stories that editors will want to buy? And where do we find these editors, magazines, and anthologies?

To answer these questions our panelists or moderator will discuss how to determine the elements and narrative arc of short story writing and how to get short stories published.

Panelists:

Dr. Steve Heller — Creative Writing Program Chair,
Antioch University Los Angeles

Dr. Steve Helleris an award-winning novelist, essayist and short story writer. He is best known for his novel “The Automotive History of Lucky Kellerman,” a selection for Book-of-the-Month Club and Quality Paperback Book Club and winner of the Friends of American Writers First Prize. Heller’s short stories have appeared in numerous magazines and national anthologies and twice received O. Henry Awards. Many of his short stories are set in Hawaii, where he lived for several periods, including in 1995 when he served as Distinguished Visiting Professor of Creative Writing at the University of Hawaii.

Heller made his mark as editor, helping establish two national literary journals, Hawaii Review, which recently published its 25th anniversary issue, and Mid-American Review, which he conceived and designed in 1980. He has since served on the staffs of Kansas Quarterly and Laurel Review. In 1990 he received the Kansas Literary Artists Fellowship in Fiction and in 1996 the Kansas Governor’s Arts Award, the state’s highest literary honor.

 

Christopher Meeks — lecturer, creative writing,
University of Southern California

Christopher Meeks, Creative Writing Lecturer, University of Southern California, writes fiction, non-fiction children’s books and articles. Some of his articles appeared in The New York Times, “Cinefantastique,” “Writer’s Digest,” “Smart Computing,” and “Chic.” He’s produced several plays and was a theatre critic for Daily Variety for eight years. His short fiction has appeared in many journals and his collected works are published by White Whisker Books as “The Middle-Aged Man and the Sea.”

Meeks teaches creative writing at CalArts, UCLA Extension, the Art Center College of Design and Santa Monica College (SMC). He teaches because “what I didn’t learn in college English classes was criminal; I want to give the kind of enthusiasm and insight that I wish had been given to me.” He also believes his students are “often geniuses when it comes to their own insights and I don’t want to de-genius them.” Meeks’ passion in writing short fiction can be read on web page links via SMC’s website. Here you will find his stories “Green River,” “Academy Award Evening and Afternoon,” “Carriers,” and “Dear Ma.”

 

Mark D’anna — co-publisher,
Ex Machina Press

Mark D’anna is the author of the award winning short-story collection, “Big Brown Bag,” and he is the co-founder of the annual short story anthology, “Silent Voices.” Mark’s short fiction has appeared in a number of journals and anthologies, both in print and online. He is currently at work on his first novel.

 

Bernadette Murphy — author, critic and essayist
Bernadette Murphy
has published three creative nonfiction books: “The Tao Girls’ Guide to Real Estate” (with LA novelist Michelle Huneven); “The Knitter’s Gift” (a nonfiction, poetry and fiction anthology); and the bestselling “Zen and the Art of Knitting.”  Her personal narratives and essays have appeared in BOOK Magazine, Ms. Magazine, LA Weekly, San Francisco Chronicle, LA Times Magazine and elsewhere. A contributing book critic for the LA Times, her fiction work, “Venice Street,” was a finalist in the Heekin Group Foundation’s James Jones Novel-In-Progress Award.  She has taught at UCLA Extension Writers Program, National University’s M.F.A. Program, and is on the faculty of Antioch University’s Creative Writing M.F.A. Program. Currently she is at work on a novel about music, motherhood and madness tentatively titled “Grace Notes.”

Moderator:
Peter A. Balaskas is managing editor, Ex Machina Press, an award-winning publisher of short fiction anthologies.
Founded in 2004, the award-winning Ex Machina Press specializes in fiction anthologies and collections. Its short fiction anthology, “Silent Voices: A Creative Mosaic of Fiction” (Volumes One through Four) has won international awards for Best Anthology at the London and Beach Book Festivals and awarded two years in a row by the DIY Book Convention in Los Angeles, resulting in Ex Machina Press being named Publisher of the Year in 2007.

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What Editors Look for in Short Story Writing

Seminar
What Editors Look for in Short Story Writing

Saturday, February 21, 2009

February is the shortest month of the year, so IWOSC is dedicating it to short stories!

Name your favorite short story.
Is it “The Gift of the Magi,” in which the wife cuts and sells her long hair to buy her husband a watch fob, while, unbeknownst to her, he sells the watch to buy her a beautiful comb for her hair? How did O. Henry create a short story of such lasting beauty? How did Edgar Allen Poe, Washington Irving, Saki, Kipling, Mark Twain, Bret Harte and many others create stories that we still read today?
More to the point, how can today’s aspiring O. Henrys write stories that editors will want to buy? And where do we find these editors, magazines, and anthologies?

Join an interactive seminar following his presentation.  Attendees are invited to bring at least five pages of their short story for a collaborative discussion.  If you bring your work, be sure to bring at least 15 copies to be shared. In the interest of time, Balaskas will determine how many works-in-progress will be able to be read in the seminar. Pitching short story ideas is also welcome. A list of short story venues and possible markets will be provided.

Balaskas’s expertise in selecting publishable works and working with other editors makes him an ideal seminar presenter.  As managing editor, of Ex-Machina Press, he also handles and establishes distribution channels via local bookstore and on-line vendors, and works with third-party printers. He knows what works and how to make your work stand out to editors looking for fresh, creative writing.

Balaskas will discuss the craft of short story writing, the importance of writing cogently for brevity and impact, and various critical elements of this special writing genre.  By the end of the seminar, you will have a firm idea about what you need to make your piece irresistible to editors.

So put your pencil or pen to paper, or fire up your computer, and write five pages for a great interactive engaging seminar!  There’s nothing better than getting your work effort into the light of day and having feedback from fellow writers.

Founded in 2004, the award-winning Ex Machina Press specializes in fiction anthologies and collections. Its short fiction anthology, “Silent Voices: A Creative Mosaic of Fiction” (Volumes One through Four) has won international awards for Best Anthology at the London and Beach Book Festivals and received awards two years in a row from the DIY Book Convention in Los Angeles, resulting in Ex Machina Press being named Publisher of the Year in 2007.

Posted on

What Editors Look for in Short Story Writing

Seminar
What Editors Look for in Short Story Writing

Saturday, February 21, 2009

February is the shortest month of the year, so IWOSC is dedicating it to short stories!

Name your favorite short story.
Is it “The Gift of the Magi,” in which the wife cuts and sells her long hair to buy her husband a watch fob, while, unbeknownst to her, he sells the watch to buy her a beautiful comb for her hair? How did O. Henry create a short story of such lasting beauty? How did Edgar Allen Poe, Washington Irving, Saki, Kipling, Mark Twain, Bret Harte and many others create stories that we still read today?
More to the point, how can today’s aspiring O. Henrys write stories that editors will want to buy? And where do we find these editors, magazines, and anthologies?

Join an interactive seminar following his presentation.  Attendees are invited to bring at least five pages of their short story for a collaborative discussion.  If you bring your work, be sure to bring at least 15 copies to be shared. In the interest of time, Balaskas will determine how many works-in-progress will be able to be read in the seminar. Pitching short story ideas is also welcome. A list of short story venues and possible markets will be provided.

Balaskas’s expertise in selecting publishable works and working with other editors makes him an ideal seminar presenter.  As managing editor, of Ex-Machina Press, he also handles and establishes distribution channels via local bookstore and on-line vendors, and works with third-party printers. He knows what works and how to make your work stand out to editors looking for fresh, creative writing.

Balaskas will discuss the craft of short story writing, the importance of writing cogently for brevity and impact, and various critical elements of this special writing genre.  By the end of the seminar, you will have a firm idea about what you need to make your piece irresistible to editors.

So put your pencil or pen to paper, or fire up your computer, and write five pages for a great interactive engaging seminar!  There’s nothing better than getting your work effort into the light of day and having feedback from fellow writers.

Founded in 2004, the award-winning Ex Machina Press specializes in fiction anthologies and collections. Its short fiction anthology, “Silent Voices: A Creative Mosaic of Fiction” (Volumes One through Four) has won international awards for Best Anthology at the London and Beach Book Festivals and received awards two years in a row from the DIY Book Convention in Los Angeles, resulting in Ex Machina Press being named Publisher of the Year in 2007.

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The End of the Music World As We Know It (and what to do about it!)

The End of the Music World As We Know It (and what to do about it!)

Monday, January 26, 2009

The death of the music industry has been widely reported, but what’s the truth for writers? With the cutbacks at newspapers and other paper-based publications, both music writers and promoters have had to look for new venues for their work—on the internet and elsewhere.

Moderated by James E. Fowler, panel members will discuss what’s out there, what’s not, what works, and what doesn’t.

Participants include:

CASEY DOLAN, former pop music writer at the “Los Angeles Times” and current contributor to the blog “International Review of Music.”

SCOTT YANOW, jazz writer and the author of several books, who now writes his own blog.

DENISE SULLIVAN, a pop music journalist and the author of several books, contributor to “Crawdaddy,” “Spinner,” and other sites.

MARGARET WAPPLER, editor-writer of the “Pop and Hiss” pop music blog at latimes.com.

Moderator JAMES E. FOWLER, also known to his music fans as “Sleepy James,” was a professional musician for more than 20 years. He quit performing music gigs in 1984 and returned to college for a journalism degree. While in school, he started his own video production company. After he graduated in 1987, he also worked at KCET-TV as the producer of a local daily newscast, “7:30.” In 1990, he began at the Los Angeles Times and stayed there until the “Great Downsizing of 2008.” Fowler wrote a weekly pop music column in the paper’s Valley Edition from 1995-98, and contributed more than 700 articles and columns in total over the years.

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Interviewing 101, with KPCC’s Kitty Felde

Seminar
Interviewing 101, with KPCC’s Kitty Felde

Saturday, January 17, 2009

Does the thought of a microphone in your face turn your knees to jelly? Hate interviewing someone else to research your play or other project? How do you prepare? How do you handle handlers? How do you get close-mouthed people to open up? What is off the record? Never fear. “Interviewing 101” is on tap.

Whether you’ve interviewed dozens of people or working up to your first one, whether you interview people for print or electronic media, this experienced interviewer’s experience will benefit you. Join KPCC’s Special Correspondent and noted playwright Kitty Felde to learn the secrets of a successful interview.

Kitty Felde is a professional interviewer, having won numerous awards for her work. Before becoming Special Correspondent, Kitty Felde hosted KPCC’s “Talk of the City” from 2001-2006, and did so part-time from 1997-2001.

In addition to her work in Los Angeles, she has reported from Africa and The Hague on AIDS and the war crimes tribunals for Rwanda and Bosnia. Most recently she produced the series on the Dodgers’ move to Los Angeles and you’ll periodically hear her “Street Stories,” featuring the stories behind the names of L.A. roads.

When Kitty puts down her microphone, she puts on her pointe shoes in ballet class. She’s also an award-winning playwright. Her work has been produced at the National Theater in Washington, D.C., and at various theaters in New York and Los Angeles. If you look very closely in Woody Allen’s “Radio Days,” you’ll spot her playing the role of Mrs. Riley.