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Short Story Writing Workshop

Seminar
Short Story Writing Workshop

Moderated by Peter A. Balaskas 

Saturday, July 17, 2010

Last year, Peter A. Balaskas taught the sold-out interactive writers workshop “What Editors Look For in a Short Story.” After many requests for another workshop, Balaskas will again teach an IWOSC writing class where attendees’ work will be critiqued by the group as well as by the instructor. In addition, Balaskas will discuss the craft of short story writing, the importance of writing cogently for brevity and impact, and various critical elements of this writing genre.

Attendees are invited to bring at least two pages (double-spaced, please!) of their short story for a collaborative discussion. Writers must also bring at least 20 copies to be shared in class. In the interest of time, Balaskas will determine how many works-in-progress will be able to be read in the seminar. Pitching short story ideas is also welcome.

So put pen to paper, fire up the computer, and write two double-spaced pages for a great interactive engaging seminar! There’s nothing more constructive than getting your work evaluated from fellow writers and an established author.

Mr. Balaskas’s expertise in selecting publishable manuscripts and working with other editors makes him an ideal seminar presenter. As managing editor of Ex-Machina Press he also handles and establishes distribution channels via local bookstore and on-line vendors, as well as working with third-party printers. If you want to learn how to make your work appealing to editors looking for fresh scenarios, this workshop is a must.

Peter Balaskas’s fiction and poetry have been published internationally. His short novel, “The Grandmaster,” a supernatural thriller that takes place during the Holocaust, was published by Bards and Sages Publishing. Originally his graduate master’s thesis, “The Grandmaster” ranked third in the Bards and Sages nationwide Speculative Fiction Novel Contest and is now on sale at Amazon.com and Barnes and Noble. “The Grandmaster” was also named a Top Ten Finalist by the Preditors and Editors Reader’s Poll for Best Horror Novel of 2007. It was also named Best Science Fiction Novel of the Year by the Hollywood and New England Book Festivals. Peter has just completed his first short story collection, “In His House,” for which he is seeking publication. One story from that collection, “Crossing the Styx,” was awarded Best Unpublished Short Story at the 2007 DIY Book Festival in Los Angeles. His short story, “Oranna’s Song,” was awarded Honorable Mention (ranked SECOND in the nation) in the Romance Category by the Fourth Annual Writer’s Digest Popular Fiction Awards. Balaskas also often serves as a reviewer for L.A. Splash.

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MYSTERY: How to write and enjoy reading mysteries of all shapes and styles

Panel
IWOSC LOVES A MYSTERY: How to write and enjoy reading mysteries of all shapes and styles

Monday, June 28, 2010

Everybody loves a mystery — but not everybody knows how to write one. That’s not a surprise, since there are almost as many kinds of mystery novels as there are novels themselves. From the classic English “cozy” or “drawing-room” mystery, to the quintessentially American, hardboiled Film Noir thriller, to the scary and gory forensic thrillers and psychological shockers of the past 25 years, tonight IWOSC and a panel of experts will set out into the night to unravel the mystery of what makes a great mystery.

From plot pacing to story structure to the eternal choice between plot-driven and character-driven fiction, our psychological autopsy will leave no stone unturned and no clue behind. For every writer from the amateur “sleuth” to the old pro, this panel should be almost as exciting as a good thriller.

And with straight-ahead literary fiction on the decline, and established literary authors like Rita Mae Brown and Don DeLillo adding second acts to their careers in the mystery genre, we’ll be discussing how to set out on your own mystery writing journey, and how to adapt your stories to the mystery format

OUR SLEUTHS — ER, PANELISTS:

  • April Smith is an award-winning screenwriter, story editor, screenplay consultant, and bestselling author of novels like GOOD MORNING KILLER, NORTH OF MONTANA, BE THE ONE, and THE JUDAS HORSE. From 1977 to 1982, she was a writer for the Emmy-winning drama LOU GRANT, and went on to produce and write for its equally acclaimed replacement on CBS, the legendary CAGNEY & LACEY, and six years after that, CHICAGO HOPE. Her TV-movies include TAKING BACK MY LIFE, ERNIE KOVACS: BEHIND THE LAUGHTER, BLACK AND BLUE, BEST KEPT SECRETS, and episodes of the miniseries NIGHTMARES & DREAMSCAPES. The Bronx native graduated with honors from the Bronx High School of Science, magna cum laude from Boston University’s English department, and holds an MFA from Stanford in Creative Writing. She is also an active member of the Writers’ Guild, PEN-USA, and has appeared at several IWOSC programs. For more clues, check out AprilSmith.net.
  • Erica Miner has a passion for writing — and all the arts, with a multifaceted career as an award-winning screenwriter, author, lecturer and poet. A native of Detroit, she studied music at Boston University and the New England Conservatory of Music. Finally winning the coveted position of violinist with the Metropolitan Opera Company — the pinnacle of her field — injuries from a car accident prematurely ended her dream. Miner then drew upon her lifelong love of writing for inspiration and studied screenwriting with authors and script gurus Linda Seger and Ken Rotcop. Her screenplays have won awards in WinFemme, Santa Fe and the Writer’s Digest. She then penned the novel and screenplay of TRAVELS WITH MY LOVERS, winner of the fiction prize in the Direct from the Author Book Awards. The first in her journal-based FOUR-EVER FRIENDS Young Adult series, chronicling four teenage girls’ coming of age in Detroit in the volatile 1960s, was published in March 2009 by Nightengale Press. Currently she is working on the feature screenplay and TV Series Bible for FOUR-EVER FRIENDS, as well as the next novel in the series, which takes place at Boston University. Erica has written both the novel and screenplay of her suspense thriller, MURDER IN THE PIT — which takes place at the Met — to be published in 2010 by Twilight Times Books. Get clued in at EricaMiner.com.
  • Dianne Emley is the bestselling author of the Nan Vining detective series, including hits like THE FIRST CUT, THE DEEPEST CUT, CUT TO THE QUICK, and the brand-new novel LOVE KILLS, which just debuted as a paperback and E-book on May 25th. Her detailed and delightful procedural novels have garnered rave reviews from the toughest critics in the business, including The New York Times, Kirkus Reviews, Booklist, and fellow top-name authors like Tess Gerritsen and Michael Connelly. Open the case at DianneEmley.com and follow the clues at Twitter.com/DianneEmley 

Telly Davidson, moderator, has produced, hosted or served on several IWOSC programs including “Books to Film,” “Trends in Publishing,” “Biographies & Memoirs,” and “Covering the Celebrity Beat.” He is author of the award-winning media tie-in book, “TV’s GROOVIEST VARIETY SHOWS, and completed the novel “Pop Culture.” He has written for NBC and PBS specials, the American Film Institute, and reviewed movies, music, and TV shows for numerous magazines both print and online.

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Get Your Book Published! Choose the path that’s right for you!

Get Your Book Published! Choose the path that’s right for you!

Saturday, June 19, 2010

In this seminar, multiple Award-Winning author and Book Midwife, Gemini Adams,explores vanity, self, traditional and hybrid publishing with a detailed analysis of the pro’s and con’s, together with up-front costs, back-end returns, rights issues, royalites and what materials you actually need according to the path you choose. This information will save you hours of your life that can be wasted writing book proposals, pursuing publishers who have no interest in your work, and can save you thousands that you might otherwise waste creating and self-publishing a product that won’t sell anywhere!

*This seminar is relevant for writers at all stages of the process, even those who’ve already been published and those who are yet to type a word!

GEMINI ADAMS has completed two bestselling books, received various awards, including the National Best Book Award 2009, Mom’s Choice Gold Award 2010 and is a Finalist in the 2010 International Book Awards. She has secured publishing deals with the major houses of Sterling, Duncan Baird and Random House, both for herself and her clients, has self-published, self-publicized and started her own imprint, Live Consciously Publishing. Gemini also acts as a Book Midwife and has helped her clients birth over 20 new books—painlessly, without drugs, sweat or tears!

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Getting The Buzz On: Marketing Your Book

Panel
Getting The Buzz On: Marketing Your Book

Monday, May 24, 2010

It’s obvious: ineffective marketing equals few sales. Even if you are savvy, creative, energetic, and your work has an edge, it will rarely sell itself. There is tremendous competition out there, and you need to know how to shine through it, effectively, efficiently, and inexpensively. We’ve assembled a panel of experts experienced in writing, marketing, and publicity. Come and learn from them. Discover what mistakes to avoid and where the hot media outlets are today. Anyone intent on disseminating ideas to wide audiences can benefit from attending this discussion.

Our panelists:

ShannonHammerShannon Hammer is the author of The Positive Portions Food & Fitness Journal, published by Fairview Press.

Having been overweight all her life, in 2003 Shannon adopted a holistic approach to health and weight loss that included keeping a daily food diary. As a result, she lost over 100 pounds and has kept it off for over seven years. She wrote her positive portions journal after realizing there was a need for a book that combined a food diary structure with daily motivational guidance.

Shannon will explain how she uses her blog, other social media tools and a publicist to expose her methodology to a wide market.

Ms Hammer currently works in the Marketing department of Honda USA.

 

MaggieAntonMAGGIE ANTON was born Margaret Antonofsky in Los Angeles, California, where she still resides. Raised in a secular, socialist household, she reached adulthood with little knowledge of her Jewish religion.

In 1992, Anton began studying Talmud in a class for women taught by feminist theologian Rachel Adler, and became intrigued that the great medieval scholar Rashi had no sons, only three daughters.

Legend has it that Rashi’s daughters were learned when women were traditionally forbidden to study the sacred texts. These forgotten women seemed ripe for rediscovery, and the idea of a trilogy of historical novels about them was born.

RASHI’S DAUGHTERS: BOOK I – JOHEVED was published in 2005 and won the 2006 Benjamin Franklin Award for Best New Voice Fiction. Its sequel, BOOK II – MIRIAM, was published in 2007 and spent 18 weeks on the Bookscan bestseller list.

In 2007, Anton retired from being a clinical chemist in Kaiser Permanente’s Biochemical Genetics Laboratory to become a full-time writer, with the final volume in the series, BOOK III – RACHEL, published in August 2009.

BILL SALEEBEY, Ph.D. holds a doctorate in Educational Psychology from UCLA and has recently self-published his third book, Connecting: Beyond the Name Tag.

Doctor Saleebey’s specialty is networking and relationship building, approached from the confluence of business and psychology. He will be speaking about marketing through the social media outlets, book signings, blogging, broadcast media interviews, new media press releases and branding.

MARILYN ANDERSON is an award-winning comedy writer, speaker, and screenwriter. She has been interviewed on over 250 radio and television shows, as well as being featured in magazines and newspapers nationwide. Marilyn’s TV credits include Murphy BrownFAMESherman OaksFriday the 13th, and Carol & Company.

Her book NEVER KISS A FROG: A Girl’s Guide to Creatures from the Dating Swamp has been published in 10 countries and generated a line of merchandise based on the frogs in her book. Women in Film honored Ms. Anderson with the Luminus Award for positively depicting women in film and television programming.

CLIFF CARLE has authored ten books and edited over 400 fiction and non-fiction tomes by other writers. In 1983, Cliff founded CCC Publications which specialized in self-help and humor books.

Currently, as a freelance editor, Mr. Carle assists authors with manuscript reorganization, developing an effective writing style, and fixing rejected manuscripts.

As a publishing consultant, Cliff assists authors with pre- and post- publication marketing within the traditional and self-publishing process, and also offers referrals to agents and publishers.

JOHN SEELEY has been called the Book Marketing Wiz. John’s books are distributed around the world.

Prior to his own success, John learned from the best in the book business, having attended Mark Victor Hansen’s Mega Book Marketing University, Author 101 University, PMA Publishing University, Million Dollar Author Program and numerous other trainings.

He has been featured on radio and TV across the country, as well as in the New York TimesL.A. TimesChicago TribuneWoman’s WorldFitnessSelf magazines, and numerous other publications worldwide.

JanieHewsonJanie Hewson loves the “creative mind” and loves to do business. She has been in the business of marketing creatives and creative business entrepreneurs for 15 years.

Hewson has met and guided the careers of hundreds of creatives beginning with her work as an Artist Representative, her years with the Creative Black Book and several stints as a Studio Manager for creative businesses, including photography and film.

For seven years Hewson was the marketing instructor for Brooks Institute of Photography and Film, where she taught classes to photography, film, graphic design and photojournalism students helping them to create powerful marketing for their careers. In 2004 she was named Teacher of the Year.

Hewson holds a Masters’ degree in Organizational Psychology, and a Bachelors’ degree in Communications. She is married to a filmmaker and they are the proud parents of an 18-year-old equestrian competitor, her high jumping horses, a high jumping dog, and the sweetest kitty ever. You can reach her through her site, MarketingCreatives.net.

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You’re So Brilliant! Why Don’t They Buy?

Seminar
You’re So Brilliant! Why Don’t They Buy?

Saturday, May 15, 2010

ANN CONVERY is an international speaker, seminar leader, trainer and author who has worked with top professionals in politics, medicine, law, business, health and beauty. For 18 years she has prepared clients for CNN60 MinutesThe New York TimesTime magazineThe Los Angeles TimesVoguePeopleSelf, and other media outlets. She has also guest lectured at UCLA Extension and The USC Marshall School of Business. In addition, Convery has been interviewed in The Los Angeles TimesElleCosmopolitanWoman’s DayFirst for WomenEntrepreneur, and Presentations Magazine.

Convery will talk about her system called Speak Your Business in 30 Seconds or Less™ which explains that the self-centered Primitive (or Old) Brain responds to stark contrast, likes street language, stops listening to the middle of your message, is attracted to word-pictures, and is only reached through emotion. Her system reveals how to get around these mental rules and target the hidden needs of your listener to deliver YOUR message.

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You’re So Brilliant! Why Don’t They Buy?

Seminar
You’re So Brilliant! Why Don’t They Buy?

Saturday, May 15, 2010

ANN CONVERY is an international speaker, seminar leader, trainer and author who has worked with top professionals in politics, medicine, law, business, health and beauty. For 18 years she has prepared clients for CNN60 MinutesThe New York TimesTime magazineThe Los Angeles TimesVoguePeopleSelf, and other media outlets. She has also guest lectured at UCLA Extension and The USC Marshall School of Business. In addition, Convery has been interviewed in The Los Angeles TimesElleCosmopolitanWoman’s DayFirst for WomenEntrepreneur, and Presentations Magazine.

Convery will talk about her system called Speak Your Business in 30 Seconds or Less™ which explains that the self-centered Primitive (or Old) Brain responds to stark contrast, likes street language, stops listening to the middle of your message, is attracted to word-pictures, and is only reached through emotion. Her system reveals how to get around these mental rules and target the hidden needs of your listener to deliver YOUR message.

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Literary Agents 101: What Writers Must Know About Finding, Securing & Working with Representation

Panel
Literary Agents 101: What Writers Must Know About Finding, Securing & Working with Representation

Monday, April 26, 2010

As every savvy writer learns, getting the words onto the page is just half the battle. To gain proper exposure and compensation for these efforts, writers must develop marketing intelligence. It also helps to be aligned with someone who has been down this road before – the literary agent. IWOSC’s April program presents a stellar panel of agents and a literary attorney, who will reveal how to find the right representative, get their attention, and create a successful relationship. We’ll look at new trends, and how to protect yourself in the current marketplace.

Robin Quinn, an award-winning book editor, ghostwriter and publishing consultant, will moderate.

Our panelists:

AngelaRinaldiAngela Rinaldi — The Angela Rinaldi Literary Agency: Angela has been a literary agent for twelve years. Before that, she was an editor at NAL/Signet, Pocket Books, Bantam Books, and manager of book publishing for The Los Angeles Times. Ms Rinaldi has taught publishing programs at UCLA, was a member of the California Arts Council and AAR, and served on the board of PEN.

Ms Rinaldi specializes in: general fiction, mystery, juvenile fiction, reference, biography, business/investing/finance, mind/body/spirit, health, lifestyle, cookbooks, children’s books, African-American, commercial and literary fiction. Some of her best known projects are: “Who Moved My Cheese?” by Dr. Spencer Johnson; “Zen Golf: Mastering the Mental Game” by Dr. Joseph Parent; “Before Your Pregnancy” by Amy Ogle and Dr. Lisa Mazzullo; “Blood Orange” by Drusilla Campbell; “The Starlite Drive-in” by Marjorie Reynolds; and “Entwined Lives” by Dr. Nancy Segal.

SallyvanHaitsmaSally van Haitsma — van Haitsma Literary — Sally recently founded van Haitsma Literary, a boutique agency in Encinitas, California. She worked six years at the Castiglia Literary Agency and, prior to that, at the Sandra Dijkstra Literary Agency. Properties Sally has represented include: the NY Times bestseller “Wesley the Owl” by Stacey O’Brien; “Silverstein & Me” by Marv Gold; “America Libre” and “House Divided” by Raul Ramos y Sanchez; “Hick” by Andrea Portes, optioned for film; “Does this Mean You’ll See Me Naked?” by Robert Webster; and “The Leisure Seeker” by Michael Zadoorian, also optioned for film.

Actively seeking new authors, Sally focuses on commercial and literary fiction, narrative nonfiction, pop culture, education, business and current affairs.

She has a Masters in Communication from UC San Diego and graduated Phi Beta Kappa.

Natalie-FischerNatalie M. Fischer — Sandra Dijkstra Literary Agency — Natalie is a literary agent at the Sandra Dijkstra Agency, one of the most respected literary agencies in the United States, with over 100 authors based around the world.

Ms. Fischer is an honors graduate of the University of San Diego, and holds a B.A. in Literature/Writing. After an internship at the agency in 2007, she wrote author profiles and book reviews for the San Diego Union Tribune. But journalism was not for her, and she returned to work full-time at the Dijkstra Agency in April 2009.

Natalie’s specialty is commercial fiction, with an emphasis on children’s literature (from picture book to YA/Teen), romance (contemporary and historical), historical fiction, multi-cultural fiction, paranormal, sci-fi/fantasy in YA or romance, fairy-tale/legend spin-offs, and “beautifully dark” novels. She is drawn to authors with an open, positive attitude; good grammar; and engaging, sexy plots.

Michael Klein, Esq. — Klein & Weisz — Michael is a senior partner with the law firm of Klein & Weisz in West Los Angeles, and long-time legal advisor to IWOSC. A graduate of Yale Law School, he has spoken and written extensively on issues including copyright, First Amendment law and contracts in the entertainment and business arenas. He is on the Board of Directors and Executive Committee of the American Civil Liberties Union of Southern California and chairs its First Amendment Committee. His clients include publishers, writers and newspapers. Klein has also served as a governmental official, most recently in his capacity as the Chairman of the Board of Directors of the Santa Monica Pier.

RobinQuinnRobin Quinn, our moderator, is an award-winning ghostwriter, book editor, and publishing consultant with more than two decades of experience. Her numerous editing credits include the best-selling “The Detox Solution,” the award-winning “Soul-Full Eating,” and the newly released “Celebrity Leverage.” Robin is a highly successful editor of health, nutrition, spirituality, self-help, memoirs and novels. Her work spans from book development to the final polish.

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WORKING YOUR MANUSCRIPT: The Beginning, the Plot, and Ten Ways to Improve Everything

Seminar
WORKING YOUR MANUSCRIPT: The Beginning, the Plot, and Ten Ways to Improve Everything

Saturday, April 17, 2010

Before you spend years researching, writing, rewriting and polishing that great
nonfiction tome that no one else could possibly assemble, STOP! Why invest time and
effort in a book that may not be what publishers believe is marketable? Or worse, after
three years and three hundred pages, your book turns out to be very similar to another
already set for publishing. Would it not be more time- and cost-effective to first distill
your concept and structure into its essence, then write a proposal outlining your format
and information? And before you send that detailed proposal to agents or editors,
would it not be even more prudent to focus your ideas further by writing a single-page
query letter? The answer to both questions is yes. Proposals and query letters are
standard publishing industry procedures.

Overworked agents and editors welcome anything which helps them work more
efficiently. A query letter gives them a sense of whether or not they should invest time
in reading your proposal. If you “hook” them, they in turn will use your query to sell the
concept up the ladder into the publishing houses. Everyone wants to scan one page
first, then peruse the expanded proposal.

But where to begin? In this morning seminar, powerhouse writer Marvin J. Wolf offers practical advice and savvy tips about turning your work into an attractive product ripe for picking by the book-publishing establishment.

MARVIN J. WOLF has written professionally since 1965. In addition to authoring or
co-authoring 15 nonfiction books, his articles have appeared in magazines and
newspapers in 132 nations around the world. Mr. Wolf honed his storytelling talents
while serving as a U.S. Army infantryman, Ranger School instructor, basic training drill
instructor, combat photographer, public affairs officer, staff officer and company
commander. Later, he worked in creative advertising positions for Foote Cone, Wells
Rich Greene, and Northrop. In 1978, Marvin Wolf became an independent writer.
In partnership with veteran screenwriter Larry Mintz, Wolf took up screenwriting in 2001.
Their script “Ladies Night,” based on a chapter of Wolf ‘s 1988 book “Platinum Crime,”
aired in February 2005 on the USA Cable Network, as did “The Pierre Heist,” based on
another Wolf book. Mr. Wolf’s books include “Buddha’s Child,” the wartime memoirs of
former South Vietnam Prime Minister Nguyen Cao Ky, and “Where White Men Fear To
Tread,” the autobiography of Native American activist and film actor Russell Means. His
“Beating The Odds” recounts the life story of ABC Television founder Leonard
Goldenson. In addition, he has written several true-crime anthologies, including “Fallen
Angels, Chronicles of Los Angeles Crime and Mystery,” considered a minor classic of its
genre.

Marvin J. Wolf is a charter member of IWOSC and has served four terms as president.

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FROM BOOKS TO FILM — Getting the Hollywood Treatment

Panel
FROM BOOKS TO FILM — Getting the Hollywood Treatment

Monday, March 22, 2010

“Look what they’ve done to my book, Ma!”

This month, the Independent Writers of Southern California presents a special program, on “Getting the Hollywood Treatment” — and what it means for novelists, memoir and biography authors, and journalists.  How can a writer best position his or her work for a screen option? What can a novelist expect when his or her book gets an offer to be adapted into a movie?  Does a self-published and small press author carry professional credibility? If not, how does one establish it? What storytelling qualities help make a novel, biography/memoir, or news article a must-see for the screen? And likewise, how has the lightning pace of movies and TV changed what Larry McMurtry calls “the Culture of the Book”?

These questions and more will be discussed and explained by a lineup of writers who have had their material adapted for the screen (or who have adapted another writer’s work), as well as, literary agents and executives who decide WHICH books and articles garner a movie deal in the first place!  Students, aspiring writers, entertainment scribes, journalists and authors of books or screenplays will find much to learn. A Q&A plus polite networking with the panelists will follow the discussion.

Our panelists:

DAN WATANABE works in scripted and unscripted programming, as well as, international distribution of feature films.  He is a 25-year veteran of Hollywood film and TV development with over a decade in program development at FremantleMedia, the production company behind Baywatch, American Idol, Family Feud, and The Price is Right. Dan also serves as a consultant for CRC Entertainment, an independent production company, and has written audience research reports for clients including Fox, New Line, Warner Independent, and Regency. Watanabe is a Professor of Media Arts at Los Angeles Valley College, teaching classes in screenwriting, production, broadcasting, and low budget/independent filmmaking.

BARNEY LICHTENSTEIN holds a Master’s Degree in Fine Arts and is a UCLA Instructor of Screenwriting. He served as a story analyst for Amblin Entertainment (Steven Spielberg), New Line Cinema, and Largo Entertainment, and has assisted in training story analysts for studios, networks, and independent production companies as well as the Sundance Institute.  In 2006, he received the UCLA Extension “Outstanding Instructor Award” in Screenwriting.

MARVIN J. WOLF is IWOSC’s own award-winning author, biographer, and screenwriter. He has turned two of his books into TV movies and has come close to producing two books he optioned from other writers. As a “recovering” photojournalist and magazine writer, Marvin has taught at Glendale College and Cal State Fullerton, and is a four-time IWOSC past president.

TELLY DAVIDSON moderator.
He has written about TV, film, and culture for Yahoo Movies, FilmStew, 213 Magazine, iF, TV-Now, Guitar Player, Entertainment Today, the LA Daily News, Newsmakers, HollywoodChicago, the American Film Institute, and even the liberal Republican blog The FrumForum.com.  His work in media tie-ins includes the book “TV’s Grooviest Variety Shows,” which was cited by Goodreads, National Public Radio, and the Academy of Television Arts & Sciences, as well as several NBC and PBS specials, including the Emmy-nominated Pioneers of Primetime.  He is an active member of IWOSC and PEN and has coordinated panels on “Trends in Publishing,” “Bios and Memoirs,” and “Avoiding Literary Scams.”

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FROM BOOKS TO FILM — Getting the Hollywood Treatment

Panel
FROM BOOKS TO FILM — Getting the Hollywood Treatment

Monday, March 22, 2010

“Look what they’ve done to my book, Ma!”

This month, the Independent Writers of Southern California presents a special program, on “Getting the Hollywood Treatment” — and what it means for novelists, memoir and biography authors, and journalists.  How can a writer best position his or her work for a screen option? What can a novelist expect when his or her book gets an offer to be adapted into a movie?  Does a self-published and small press author carry professional credibility? If not, how does one establish it? What storytelling qualities help make a novel, biography/memoir, or news article a must-see for the screen? And likewise, how has the lightning pace of movies and TV changed what Larry McMurtry calls “the Culture of the Book”?

These questions and more will be discussed and explained by a lineup of writers who have had their material adapted for the screen (or who have adapted another writer’s work), as well as, literary agents and executives who decide WHICH books and articles garner a movie deal in the first place!  Students, aspiring writers, entertainment scribes, journalists and authors of books or screenplays will find much to learn. A Q&A plus polite networking with the panelists will follow the discussion.

Our panelists:

DAN WATANABE works in scripted and unscripted programming, as well as, international distribution of feature films.  He is a 25-year veteran of Hollywood film and TV development with over a decade in program development at FremantleMedia, the production company behind Baywatch, American Idol, Family Feud, and The Price is Right. Dan also serves as a consultant for CRC Entertainment, an independent production company, and has written audience research reports for clients including Fox, New Line, Warner Independent, and Regency. Watanabe is a Professor of Media Arts at Los Angeles Valley College, teaching classes in screenwriting, production, broadcasting, and low budget/independent filmmaking.

BARNEY LICHTENSTEIN holds a Master’s Degree in Fine Arts and is a UCLA Instructor of Screenwriting. He served as a story analyst for Amblin Entertainment (Steven Spielberg), New Line Cinema, and Largo Entertainment, and has assisted in training story analysts for studios, networks, and independent production companies as well as the Sundance Institute.  In 2006, he received the UCLA Extension “Outstanding Instructor Award” in Screenwriting.

MARVIN J. WOLF is IWOSC’s own award-winning author, biographer, and screenwriter. He has turned two of his books into TV movies and has come close to producing two books he optioned from other writers. As a “recovering” photojournalist and magazine writer, Marvin has taught at Glendale College and Cal State Fullerton, and is a four-time IWOSC past president.

TELLY DAVIDSON moderator.
He has written about TV, film, and culture for Yahoo Movies, FilmStew, 213 Magazine, iF, TV-Now, Guitar Player, Entertainment Today, the LA Daily News, Newsmakers, HollywoodChicago, the American Film Institute, and even the liberal Republican blog The FrumForum.com.  His work in media tie-ins includes the book “TV’s Grooviest Variety Shows,” which was cited by Goodreads, National Public Radio, and the Academy of Television Arts & Sciences, as well as several NBC and PBS specials, including the Emmy-nominated Pioneers of Primetime.  He is an active member of IWOSC and PEN and has coordinated panels on “Trends in Publishing,” “Bios and Memoirs,” and “Avoiding Literary Scams.”